{"id":14154,"date":"2026-07-27T06:34:06","date_gmt":"2026-07-27T06:34:06","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/07\/27\/the-oresteia-review-this-body-shaking-blood-soaked-opera-is-exhilaratingly-wild-culture-the-guardian\/"},"modified":"2026-07-27T06:34:06","modified_gmt":"2026-07-27T06:34:06","slug":"the-oresteia-review-this-body-shaking-blood-soaked-opera-is-exhilaratingly-wild-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/07\/27\/the-oresteia-review-this-body-shaking-blood-soaked-opera-is-exhilaratingly-wild-culture-the-guardian\/","title":{"rendered":"The Oresteia review \u2013 this body-shaking, blood-soaked opera is exhilaratingly wild Culture | The Guardian"},"content":{"rendered":"<p><strong>Sydney Chamber Opera,<\/strong> <strong>Carriageworks<br \/><\/strong>Six singers put not only their vocal cords but their bodies on the line in a physically demanding performance of Liza Lim\u2019s aurally challenging opera<\/p>\n<p>Ambition and desire. Sacrifice and death. Vengeance and violence. Justice and regeneration. Repeat.<\/p>\n<p>Greek drama is so hot right now. It\u2019s not only Christopher Nolan\u2019s The Odyssey: <a href=\"https:\/\/www.theguardian.com\/stage\/2024\/oct\/16\/oedipus-review-lesley-manville-and-mark-strong-electrify-ancient-saga-turned-political-thriller\">Robert Icke\u2019s Oedipus<\/a> went to Broadway this year after a successful UK season, and Simon Stone\u2019s <a href=\"https:\/\/www.theguardian.com\/stage\/2026\/jul\/15\/the-oresteia-review-bridge-theatre-london-david-morrissey-mary-louise-parker\">Simon Stone\u2019s The Oresteia<\/a> opened in London this month. Last month in Sydney David Wenham performed <a href=\"https:\/\/www.theguardian.com\/stage\/2026\/apr\/18\/an-iliad-review-david-wenham-is-a-great-match-for-contemporary-twist-on-homers-epic\">An Iliad<\/a> at Sydney Theatre Company and now, at Carriageworks, we have Liza Lim\u2019s operatic take on Aeschylus\u2019s blood-soaked revenge cycle.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/music\/2026\/jul\/27\/the-oresteia-review-sydney-chamber-opera\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/music\/2026\/jul\/27\/the-oresteia-review-sydney-chamber-opera\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/03602982d1d67050df6cdb6c8cd1236c7743a9fd\/159_0_1602_1281\/master\/1602.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=ae38fba248354710b5dd2a627138b363\" title=\"The Oresteia review \u2013 this body-shaking, blood-soaked opera is exhilaratingly wild\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>Sydney Chamber Opera, CarriageworksSix singers put not only their vocal cords but their bodies on the line in a physically demanding performance of Liza Lim\u2019s aurally challenging opera Ambition and desire. Sacrifice and death. Vengeance and violence. Justice and regeneration. Repeat. Greek drama is so hot right now. It\u2019s not only Christopher Nolan\u2019s The Odyssey:&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":14155,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-14154","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Oresteia review \u2013 this body-shaking, blood-soaked opera is exhilaratingly wild Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/07\/27\/the-oresteia-review-this-body-shaking-blood-soaked-opera-is-exhilaratingly-wild-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Oresteia review \u2013 this body-shaking, blood-soaked opera is exhilaratingly wild Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"Sydney Chamber Opera, CarriageworksSix singers put not only their vocal cords but their bodies on the line in a physically demanding performance of Liza Lim\u2019s aurally challenging opera Ambition and desire. Sacrifice and death. Vengeance and violence. Justice and regeneration. Repeat. Greek drama is so hot right now. 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