{"id":14189,"date":"2026-07-28T09:37:12","date_gmt":"2026-07-28T09:37:12","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/07\/28\/he-made-damien-hirst-look-like-a-sideshow-the-bloodsplash-horrors-of-gunther-von-hagens-culture-the-guardian\/"},"modified":"2026-07-28T09:37:12","modified_gmt":"2026-07-28T09:37:12","slug":"he-made-damien-hirst-look-like-a-sideshow-the-bloodsplash-horrors-of-gunther-von-hagens-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/07\/28\/he-made-damien-hirst-look-like-a-sideshow-the-bloodsplash-horrors-of-gunther-von-hagens-culture-the-guardian\/","title":{"rendered":"\u2018He made Damien Hirst look like a sideshow\u2019: the bloodsplash horrors of Gunther von Hagens Culture | The Guardian"},"content":{"rendered":"<p>The German scientist showman turned corpses into gruesome entertainment and scored a global hit \u2013 but he sidestepped the moral questions truly great art asks<\/p>\n\n<p>Gunther von Hagens, the inventor of \u201cplastination\u201d, will be remembered as the man who killed off 1990s shock art. He certainly plastinated any reputation Damien Hirst had as a disturbing artist of mortality.<\/p>\n<p>When this German scientist turned showman made a popular bloodsplash around the world in the latter half of the 90s, Hirst was still pickling sheep, sharks and pigs and displaying them as philosophical specimens. Other artists, too, played with carnality and horror, from endoscopy videos to model landscapes filled with Nazi atrocities. But it was just art. Then along came Von Hagens with his Body Worlds exhibitions, using plastination to perfectly preserve dissected bodies. He did what Hirst and co never dared: he displayed actual human corpses as a kind of grisly but purportedly educational art object.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/culture\/2026\/jul\/28\/damien-hirst-bloodsplash-horrors-gunther-von-hagens-body-worlds\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/culture\/2026\/jul\/28\/damien-hirst-bloodsplash-horrors-gunther-von-hagens-body-worlds\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/9846a6c77dbbaa0408f963dd8f97126dd0955327\/47_0_1907_1526\/master\/1907.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=1f1d171a43e5c4434b29b13969d21295\" title=\"\u2018He made Damien Hirst look like a sideshow\u2019: the bloodsplash horrors of Gunther von Hagens\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>The German scientist showman turned corpses into gruesome entertainment and scored a global hit \u2013 but he sidestepped the moral questions truly great art asks Gunther von Hagens, the inventor of \u201cplastination\u201d, will be remembered as the man who killed off 1990s shock art. He certainly plastinated any reputation Damien Hirst had as a disturbing&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":14190,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-14189","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u2018He made Damien Hirst look like a sideshow\u2019: the bloodsplash horrors of Gunther von Hagens Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/07\/28\/he-made-damien-hirst-look-like-a-sideshow-the-bloodsplash-horrors-of-gunther-von-hagens-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018He made Damien Hirst look like a sideshow\u2019: the bloodsplash horrors of Gunther von Hagens Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"The German scientist showman turned corpses into gruesome entertainment and scored a global hit \u2013 but he sidestepped the moral questions truly great art asks Gunther von Hagens, the inventor of \u201cplastination\u201d, will be remembered as the man who killed off 1990s shock art. He certainly plastinated any reputation Damien Hirst had as a disturbing&#046;&#046;&#046;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/culturalleft.org\/cl\/2026\/07\/28\/he-made-damien-hirst-look-like-a-sideshow-the-bloodsplash-horrors-of-gunther-von-hagens-culture-the-guardian\/\" \/>\n<meta property=\"og:site_name\" content=\"Cultural Left\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/culturalleft\" \/>\n<meta property=\"article:published_time\" content=\"2026-07-28T09:37:12+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i.guim.co.uk\/img\/media\/9846a6c77dbbaa0408f963dd8f97126dd0955327\/47_0_1907_1526\/master\/1907.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=1f1d171a43e5c4434b29b13969d21295\" \/>\n<meta name=\"author\" content=\"Administrator\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:site\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Administrator\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/07\\\/28\\\/he-made-damien-hirst-look-like-a-sideshow-the-bloodsplash-horrors-of-gunther-von-hagens-culture-the-guardian\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/07\\\/28\\\/he-made-damien-hirst-look-like-a-sideshow-the-bloodsplash-horrors-of-gunther-von-hagens-culture-the-guardian\\\/\"},\"author\":{\"name\":\"Administrator\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/person\\\/94cf8075fda504f02a6c2fba01de1a33\"},\"headline\":\"\u2018He made Damien Hirst look like a sideshow\u2019: the bloodsplash horrors of Gunther von Hagens Culture | The Guardian\",\"datePublished\":\"2026-07-28T09:37:12+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/07\\\/28\\\/he-made-damien-hirst-look-like-a-sideshow-the-bloodsplash-horrors-of-gunther-von-hagens-culture-the-guardian\\\/\"},\"wordCount\":176,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/07\\\/28\\\/he-made-damien-hirst-look-like-a-sideshow-the-bloodsplash-horrors-of-gunther-von-hagens-culture-the-guardian\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/1907-SxvtgJ.jpg\",\"articleSection\":[\"Uncategorized\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/07\\\/28\\\/he-made-damien-hirst-look-like-a-sideshow-the-bloodsplash-horrors-of-gunther-von-hagens-culture-the-guardian\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/07\\\/28\\\/he-made-damien-hirst-look-like-a-sideshow-the-bloodsplash-horrors-of-gunther-von-hagens-culture-the-guardian\\\/\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/07\\\/28\\\/he-made-damien-hirst-look-like-a-sideshow-the-bloodsplash-horrors-of-gunther-von-hagens-culture-the-guardian\\\/\",\"name\":\"\u2018He made Damien Hirst look like a sideshow\u2019: the bloodsplash horrors of Gunther von Hagens Culture | The Guardian - 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