{"id":14462,"date":"2026-08-06T12:32:10","date_gmt":"2026-08-06T12:32:10","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/08\/06\/carlos-acosta-myths-and-modern-masters-review-superstar-returns-with-style-the-stones-and-his-daughter-culture-the-guardian\/"},"modified":"2026-08-06T12:32:10","modified_gmt":"2026-08-06T12:32:10","slug":"carlos-acosta-myths-and-modern-masters-review-superstar-returns-with-style-the-stones-and-his-daughter-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/08\/06\/carlos-acosta-myths-and-modern-masters-review-superstar-returns-with-style-the-stones-and-his-daughter-culture-the-guardian\/","title":{"rendered":"Carlos Acosta: Myths and Modern Masters review \u2013 superstar returns with style, the Stones and his daughter Culture | The Guardian"},"content":{"rendered":"<p><strong>Royal Opera House, London<br \/><\/strong>Mixing contemporary, Cuban and classical works, Acosta has charisma to burn and is accompanied by an impressive cohort<\/p>\n<p>It\u2019s a bit of a stretch to call this undoubtedly enjoyable programme Myths and Modern Masters but granted, it sounds better than Miscellany. Carlos Acosta \u2013 superstar dancer, now director of Birmingham Royal Ballet and Cuban company Acosta Danza \u2013 has picked and mixed dancers from both companies to offer a very eclectic spread of dance, and added himself into the mix.<\/p>\n<p>At 53, Acosta may not have the physical prowess of his youth, but he brings great presence and depth \u2013 and some great dancing, too. That serves very well in Jos\u00e9 Lim\u00f3n\u2019s landmark 1949 work The Moor\u2019s Pavane, a distillation of Shakespeare\u2019s Othello which boils down the story to four characters \u2013 Othello (Acosta), Desdemona (Beatrice Parma), Iago (Max Maslen) and Emilia (Miki Mizutani) \u2013 and contains their drama of deception, jealousy and revenge within a stately composition of measured steps and stylised gestures, set to courtly music by Purcell.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/stage\/2026\/aug\/06\/carlos-acosta-myths-and-modern-masters-review-royal-opera-house-london\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/stage\/2026\/aug\/06\/carlos-acosta-myths-and-modern-masters-review-royal-opera-house-london\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/bd100f03ac332444153c20cac90ec19560243668\/507_296_2793_2234\/master\/2793.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=a4a215ef90486c2d19f287b2626c49ed\" title=\"Carlos Acosta: Myths and Modern Masters review \u2013 superstar returns with style, the Stones and his daughter\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>Royal Opera House, LondonMixing contemporary, Cuban and classical works, Acosta has charisma to burn and is accompanied by an impressive cohort It\u2019s a bit of a stretch to call this undoubtedly enjoyable programme Myths and Modern Masters but granted, it sounds better than Miscellany. Carlos Acosta \u2013 superstar dancer, now director of Birmingham Royal Ballet&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":14463,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-14462","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Carlos Acosta: Myths and Modern Masters review \u2013 superstar returns with style, the Stones and his daughter Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/08\/06\/carlos-acosta-myths-and-modern-masters-review-superstar-returns-with-style-the-stones-and-his-daughter-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Carlos Acosta: Myths and Modern Masters review \u2013 superstar returns with style, the Stones and his daughter Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"Royal Opera House, LondonMixing contemporary, Cuban and classical works, Acosta has charisma to burn and is accompanied by an impressive cohort It\u2019s a bit of a stretch to call this undoubtedly enjoyable programme Myths and Modern Masters but granted, it sounds better than Miscellany. Carlos Acosta \u2013 superstar dancer, now director of Birmingham Royal Ballet&#046;&#046;&#046;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/culturalleft.org\/cl\/2026\/08\/06\/carlos-acosta-myths-and-modern-masters-review-superstar-returns-with-style-the-stones-and-his-daughter-culture-the-guardian\/\" \/>\n<meta property=\"og:site_name\" content=\"Cultural Left\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/culturalleft\" \/>\n<meta property=\"article:published_time\" content=\"2026-08-06T12:32:10+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i.guim.co.uk\/img\/media\/bd100f03ac332444153c20cac90ec19560243668\/507_296_2793_2234\/master\/2793.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=a4a215ef90486c2d19f287b2626c49ed\" \/>\n<meta name=\"author\" content=\"Administrator\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:site\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Administrator\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/08\\\/06\\\/carlos-acosta-myths-and-modern-masters-review-superstar-returns-with-style-the-stones-and-his-daughter-culture-the-guardian\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/08\\\/06\\\/carlos-acosta-myths-and-modern-masters-review-superstar-returns-with-style-the-stones-and-his-daughter-culture-the-guardian\\\/\"},\"author\":{\"name\":\"Administrator\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/person\\\/94cf8075fda504f02a6c2fba01de1a33\"},\"headline\":\"Carlos Acosta: Myths and Modern Masters review \u2013 superstar returns with style, the Stones and his daughter Culture | The Guardian\",\"datePublished\":\"2026-08-06T12:32:10+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/08\\\/06\\\/carlos-acosta-myths-and-modern-masters-review-superstar-returns-with-style-the-stones-and-his-daughter-culture-the-guardian\\\/\"},\"wordCount\":195,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/08\\\/06\\\/carlos-acosta-myths-and-modern-masters-review-superstar-returns-with-style-the-stones-and-his-daughter-culture-the-guardian\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/08\\\/2793-1bTm0v.jpg\",\"articleSection\":[\"Uncategorized\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/08\\\/06\\\/carlos-acosta-myths-and-modern-masters-review-superstar-returns-with-style-the-stones-and-his-daughter-culture-the-guardian\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/08\\\/06\\\/carlos-acosta-myths-and-modern-masters-review-superstar-returns-with-style-the-stones-and-his-daughter-culture-the-guardian\\\/\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/08\\\/06\\\/carlos-acosta-myths-and-modern-masters-review-superstar-returns-with-style-the-stones-and-his-daughter-culture-the-guardian\\\/\",\"name\":\"Carlos Acosta: Myths and Modern Masters review \u2013 superstar returns with style, the Stones and his daughter Culture | The Guardian - 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