{"id":14638,"date":"2026-08-13T11:31:43","date_gmt":"2026-08-13T11:31:43","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/08\/13\/chelsea-wolfe-the-dark-review-existential-reflection-goes-from-whisper-to-gothic-scream-culture-the-guardian\/"},"modified":"2026-08-13T11:31:43","modified_gmt":"2026-08-13T11:31:43","slug":"chelsea-wolfe-the-dark-review-existential-reflection-goes-from-whisper-to-gothic-scream-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/08\/13\/chelsea-wolfe-the-dark-review-existential-reflection-goes-from-whisper-to-gothic-scream-culture-the-guardian\/","title":{"rendered":"Chelsea Wolfe: The Dark review \u2013 existential reflection goes from whisper to gothic scream Culture | The Guardian"},"content":{"rendered":"<p><strong>(Loma Vista)<br \/><\/strong>The genre-blending Californian artist casts off past toxic influences with a powerful set of tender, brooding and emotionally charged songs that wouldn\u2019t feel out of place as festival anthems<\/p>\n<p>When Chelsea Wolfe was <a href=\"https:\/\/www.theguardian.com\/culture\/2015\/aug\/14\/chelsea-wolfe-drone-folk-singer-sleep-paralysis-high-art\">interviewed by the Guardian in 2015<\/a> about her fourth album, Abyss, she revealed that her music had been informed by the bouts of sleep paralysis she\u2019d suffered from since childhood. The condition \u2013 a transitional state between being awake and asleep \u2013 affects sufferers in different ways. Some wake up feeling paralysed, others see ghosts or demonic figures. For the California-born singer-songwriter, it meant \u201cwaking up, and you can move your body and your eyes are open, but there are figures and people from your dreams still present in your room\u201d.<\/p>\n<p>No surprise, then, that her music \u2013 a blend of drone, alt, folk, industrial and doom metal \u2013 had ended up so spookily unsettling. She appeared on album covers with pupil-less eyes, spoke in interviews about \u201cfollowing the path of witchcraft\u201d and even covered Norwegian black metal act and convicted arsonist\/murderer Burzum. She did have a sense of humour about it all, however, telling one interviewer, with a chuckle: \u201cIt\u2019s not party music.\u201d Since then, though, much has changed. Wolfe left Los Angeles for the mountains above the city \u2013 where she\u2019s finally been able to enjoy a good night\u2019s sleep. Sobriety since 2021 has also brought what she calls \u201ca new clarity\u201d. Both developments inform The Dark.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/music\/2026\/aug\/13\/chelsea-wolfe-the-dark-review\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/music\/2026\/aug\/13\/chelsea-wolfe-the-dark-review\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/0515e242def1465f35dcf3c618a120eed07670ea\/863_0_6830_5464\/master\/6830.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=13b42dd008c9c64652d10b3629899553\" title=\"Chelsea Wolfe: The Dark review \u2013 existential reflection goes from whisper to gothic scream\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>(Loma Vista)The genre-blending Californian artist casts off past toxic influences with a powerful set of tender, brooding and emotionally charged songs that wouldn\u2019t feel out of place as festival anthems When Chelsea Wolfe was interviewed by the Guardian in 2015 about her fourth album, Abyss, she revealed that her music had been informed by the&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":14639,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-14638","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Chelsea Wolfe: The Dark review \u2013 existential reflection goes from whisper to gothic scream Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/08\/13\/chelsea-wolfe-the-dark-review-existential-reflection-goes-from-whisper-to-gothic-scream-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Chelsea Wolfe: The Dark review \u2013 existential reflection goes from whisper to gothic scream Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"(Loma Vista)The genre-blending Californian artist casts off past toxic influences with a powerful set of tender, brooding and emotionally charged songs that wouldn\u2019t feel out of place as festival anthems When Chelsea Wolfe was interviewed by the Guardian in 2015 about her fourth album, Abyss, she revealed that her music had been informed by the&#046;&#046;&#046;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/culturalleft.org\/cl\/2026\/08\/13\/chelsea-wolfe-the-dark-review-existential-reflection-goes-from-whisper-to-gothic-scream-culture-the-guardian\/\" \/>\n<meta property=\"og:site_name\" content=\"Cultural Left\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/culturalleft\" \/>\n<meta property=\"article:published_time\" content=\"2026-08-13T11:31:43+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i.guim.co.uk\/img\/media\/0515e242def1465f35dcf3c618a120eed07670ea\/863_0_6830_5464\/master\/6830.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=13b42dd008c9c64652d10b3629899553\" \/>\n<meta name=\"author\" content=\"Administrator\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:site\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Administrator\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/08\\\/13\\\/chelsea-wolfe-the-dark-review-existential-reflection-goes-from-whisper-to-gothic-scream-culture-the-guardian\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/08\\\/13\\\/chelsea-wolfe-the-dark-review-existential-reflection-goes-from-whisper-to-gothic-scream-culture-the-guardian\\\/\"},\"author\":{\"name\":\"Administrator\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/person\\\/94cf8075fda504f02a6c2fba01de1a33\"},\"headline\":\"Chelsea Wolfe: The Dark review \u2013 existential reflection goes from whisper to gothic scream Culture | The Guardian\",\"datePublished\":\"2026-08-13T11:31:43+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/08\\\/13\\\/chelsea-wolfe-the-dark-review-existential-reflection-goes-from-whisper-to-gothic-scream-culture-the-guardian\\\/\"},\"wordCount\":263,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/08\\\/13\\\/chelsea-wolfe-the-dark-review-existential-reflection-goes-from-whisper-to-gothic-scream-culture-the-guardian\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/08\\\/6830-dIwlOv.jpg\",\"articleSection\":[\"Uncategorized\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/08\\\/13\\\/chelsea-wolfe-the-dark-review-existential-reflection-goes-from-whisper-to-gothic-scream-culture-the-guardian\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/08\\\/13\\\/chelsea-wolfe-the-dark-review-existential-reflection-goes-from-whisper-to-gothic-scream-culture-the-guardian\\\/\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/08\\\/13\\\/chelsea-wolfe-the-dark-review-existential-reflection-goes-from-whisper-to-gothic-scream-culture-the-guardian\\\/\",\"name\":\"Chelsea Wolfe: The Dark review \u2013 existential reflection goes from whisper to gothic scream Culture | The Guardian - Cultural Left\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/08\\\/13\\\/chelsea-wolfe-the-dark-review-existential-reflection-goes-from-whisper-to-gothic-scream-culture-the-guardian\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/08\\\/13\\\/chelsea-wolfe-the-dark-review-existential-reflection-goes-from-whisper-to-gothic-scream-culture-the-guardian\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/08\\\/6830-dIwlOv.jpg\",\"datePublished\":\"2026-08-13T11:31:43+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/08\\\/13\\\/chelsea-wolfe-the-dark-review-existential-reflection-goes-from-whisper-to-gothic-scream-culture-the-guardian\\\/#breadcrumb\"},\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/08\\\/13\\\/chelsea-wolfe-the-dark-review-existential-reflection-goes-from-whisper-to-gothic-scream-culture-the-guardian\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/08\\\/13\\\/chelsea-wolfe-the-dark-review-existential-reflection-goes-from-whisper-to-gothic-scream-culture-the-guardian\\\/#primaryimage\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/08\\\/6830-dIwlOv.jpg\",\"contentUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/08\\\/6830-dIwlOv.jpg\",\"width\":140,\"height\":112},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/08\\\/13\\\/chelsea-wolfe-the-dark-review-existential-reflection-goes-from-whisper-to-gothic-scream-culture-the-guardian\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Chelsea Wolfe: The Dark review \u2013 existential reflection goes from whisper to gothic scream Culture | The Guardian\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#website\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/\",\"name\":\"Cultural Left\",\"description\":\"Culturalising Democracy - Democratising Culture\",\"publisher\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-GB\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#organization\",\"name\":\"Cultural Left\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2023\\\/11\\\/cropped-CYLTURALLEFTLOGOGOOD2023.png\",\"contentUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2023\\\/11\\\/cropped-CYLTURALLEFTLOGOGOOD2023.png\",\"width\":484,\"height\":190,\"caption\":\"Cultural Left\"},\"image\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/culturalleft\",\"https:\\\/\\\/x.com\\\/culturalleft\",\"https:\\\/\\\/www.tiktok.com\\\/culturalleft\",\"https:\\\/\\\/www.instagram.com\\\/culturalleft\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/person\\\/94cf8075fda504f02a6c2fba01de1a33\",\"name\":\"Administrator\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g\",\"caption\":\"Administrator\"},\"sameAs\":[\"https:\\\/\\\/culturalleft.org\\\/cl\"],\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/author\\\/administrator\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Chelsea Wolfe: The Dark review \u2013 existential reflection goes from whisper to gothic scream Culture | The Guardian - Cultural Left","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/culturalleft.org\/cl\/2026\/08\/13\/chelsea-wolfe-the-dark-review-existential-reflection-goes-from-whisper-to-gothic-scream-culture-the-guardian\/","og_locale":"en_GB","og_type":"article","og_title":"Chelsea Wolfe: The Dark review \u2013 existential reflection goes from whisper to gothic scream Culture | The Guardian - Cultural Left","og_description":"(Loma Vista)The genre-blending Californian artist casts off past toxic influences with a powerful set of tender, brooding and emotionally charged songs that wouldn\u2019t feel out of place as festival anthems When Chelsea Wolfe was interviewed by the Guardian in 2015 about her fourth album, Abyss, she revealed that her music had been informed by the&#46;&#46;&#46;","og_url":"https:\/\/culturalleft.org\/cl\/2026\/08\/13\/chelsea-wolfe-the-dark-review-existential-reflection-goes-from-whisper-to-gothic-scream-culture-the-guardian\/","og_site_name":"Cultural Left","article_publisher":"https:\/\/www.facebook.com\/culturalleft","article_published_time":"2026-08-13T11:31:43+00:00","og_image":[{"url":"https:\/\/i.guim.co.uk\/img\/media\/0515e242def1465f35dcf3c618a120eed07670ea\/863_0_6830_5464\/master\/6830.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=13b42dd008c9c64652d10b3629899553","type":"","width":"","height":""}],"author":"Administrator","twitter_card":"summary_large_image","twitter_creator":"@culturalleft","twitter_site":"@culturalleft","twitter_misc":{"Written by":"Administrator","Estimated reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/culturalleft.org\/cl\/2026\/08\/13\/chelsea-wolfe-the-dark-review-existential-reflection-goes-from-whisper-to-gothic-scream-culture-the-guardian\/#article","isPartOf":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/08\/13\/chelsea-wolfe-the-dark-review-existential-reflection-goes-from-whisper-to-gothic-scream-culture-the-guardian\/"},"author":{"name":"Administrator","@id":"https:\/\/culturalleft.org\/cl\/#\/schema\/person\/94cf8075fda504f02a6c2fba01de1a33"},"headline":"Chelsea Wolfe: The Dark review \u2013 existential reflection goes from whisper to gothic scream Culture | The Guardian","datePublished":"2026-08-13T11:31:43+00:00","mainEntityOfPage":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/08\/13\/chelsea-wolfe-the-dark-review-existential-reflection-goes-from-whisper-to-gothic-scream-culture-the-guardian\/"},"wordCount":263,"commentCount":0,"publisher":{"@id":"https:\/\/culturalleft.org\/cl\/#organization"},"image":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/08\/13\/chelsea-wolfe-the-dark-review-existential-reflection-goes-from-whisper-to-gothic-scream-culture-the-guardian\/#primaryimage"},"thumbnailUrl":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2026\/08\/6830-dIwlOv.jpg","articleSection":["Uncategorized"],"inLanguage":"en-GB","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/culturalleft.org\/cl\/2026\/08\/13\/chelsea-wolfe-the-dark-review-existential-reflection-goes-from-whisper-to-gothic-scream-culture-the-guardian\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/culturalleft.org\/cl\/2026\/08\/13\/chelsea-wolfe-the-dark-review-existential-reflection-goes-from-whisper-to-gothic-scream-culture-the-guardian\/","url":"https:\/\/culturalleft.org\/cl\/2026\/08\/13\/chelsea-wolfe-the-dark-review-existential-reflection-goes-from-whisper-to-gothic-scream-culture-the-guardian\/","name":"Chelsea Wolfe: The Dark review \u2013 existential reflection goes from whisper to gothic scream Culture | The Guardian - Cultural Left","isPartOf":{"@id":"https:\/\/culturalleft.org\/cl\/#website"},"primaryImageOfPage":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/08\/13\/chelsea-wolfe-the-dark-review-existential-reflection-goes-from-whisper-to-gothic-scream-culture-the-guardian\/#primaryimage"},"image":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/08\/13\/chelsea-wolfe-the-dark-review-existential-reflection-goes-from-whisper-to-gothic-scream-culture-the-guardian\/#primaryimage"},"thumbnailUrl":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2026\/08\/6830-dIwlOv.jpg","datePublished":"2026-08-13T11:31:43+00:00","breadcrumb":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/08\/13\/chelsea-wolfe-the-dark-review-existential-reflection-goes-from-whisper-to-gothic-scream-culture-the-guardian\/#breadcrumb"},"inLanguage":"en-GB","potentialAction":[{"@type":"ReadAction","target":["https:\/\/culturalleft.org\/cl\/2026\/08\/13\/chelsea-wolfe-the-dark-review-existential-reflection-goes-from-whisper-to-gothic-scream-culture-the-guardian\/"]}]},{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/culturalleft.org\/cl\/2026\/08\/13\/chelsea-wolfe-the-dark-review-existential-reflection-goes-from-whisper-to-gothic-scream-culture-the-guardian\/#primaryimage","url":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2026\/08\/6830-dIwlOv.jpg","contentUrl":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2026\/08\/6830-dIwlOv.jpg","width":140,"height":112},{"@type":"BreadcrumbList","@id":"https:\/\/culturalleft.org\/cl\/2026\/08\/13\/chelsea-wolfe-the-dark-review-existential-reflection-goes-from-whisper-to-gothic-scream-culture-the-guardian\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/culturalleft.org\/cl\/"},{"@type":"ListItem","position":2,"name":"Chelsea Wolfe: The Dark review \u2013 existential reflection goes from whisper to gothic scream Culture | The Guardian"}]},{"@type":"WebSite","@id":"https:\/\/culturalleft.org\/cl\/#website","url":"https:\/\/culturalleft.org\/cl\/","name":"Cultural Left","description":"Culturalising Democracy - Democratising Culture","publisher":{"@id":"https:\/\/culturalleft.org\/cl\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/culturalleft.org\/cl\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-GB"},{"@type":"Organization","@id":"https:\/\/culturalleft.org\/cl\/#organization","name":"Cultural Left","url":"https:\/\/culturalleft.org\/cl\/","logo":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/culturalleft.org\/cl\/#\/schema\/logo\/image\/","url":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2023\/11\/cropped-CYLTURALLEFTLOGOGOOD2023.png","contentUrl":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2023\/11\/cropped-CYLTURALLEFTLOGOGOOD2023.png","width":484,"height":190,"caption":"Cultural Left"},"image":{"@id":"https:\/\/culturalleft.org\/cl\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/culturalleft","https:\/\/x.com\/culturalleft","https:\/\/www.tiktok.com\/culturalleft","https:\/\/www.instagram.com\/culturalleft"]},{"@type":"Person","@id":"https:\/\/culturalleft.org\/cl\/#\/schema\/person\/94cf8075fda504f02a6c2fba01de1a33","name":"Administrator","image":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/secure.gravatar.com\/avatar\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g","caption":"Administrator"},"sameAs":["https:\/\/culturalleft.org\/cl"],"url":"https:\/\/culturalleft.org\/cl\/author\/administrator\/"}]}},"_links":{"self":[{"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/posts\/14638","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/comments?post=14638"}],"version-history":[{"count":0,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/posts\/14638\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/media\/14639"}],"wp:attachment":[{"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/media?parent=14638"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/categories?post=14638"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/tags?post=14638"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}