{"id":14840,"date":"2026-08-21T06:37:19","date_gmt":"2026-08-21T06:37:19","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/08\/21\/life-of-m-by-rachel-cusk-review-is-this-story-of-a-film-star-based-on-natalie-portman-culture-the-guardian\/"},"modified":"2026-08-21T06:37:19","modified_gmt":"2026-08-21T06:37:19","slug":"life-of-m-by-rachel-cusk-review-is-this-story-of-a-film-star-based-on-natalie-portman-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/08\/21\/life-of-m-by-rachel-cusk-review-is-this-story-of-a-film-star-based-on-natalie-portman-culture-the-guardian\/","title":{"rendered":"Life of M by Rachel Cusk review \u2013 is this story of a film star based on Natalie Portman? Culture | The Guardian"},"content":{"rendered":"

A teasing tale of the friendship between a writer and an actor explores the fallout from fame, and the blurring between pretence and reality<\/p>\n

M <\/strong>is a celebrated film actor. A\u00a0star since childhood, now the face of a major fashion brand, she has been famous all her life. That her career closely resembles Natalie Portman\u2019s has been gleefully seized upon by the press, something Rachel Cusk must surely have anticipated: in the novel, M\u2019s first film has its sex scenes cut at her mother\u2019s insistence, as happened with Portman\u2019s 1994 debut Leon, while her ballerina movie is recognisably Black Swan. M is also, in the words of the nameless and genderless narrator of Life of M, \u201ca good sport\u201d. When the narrator suggests writing M\u2019s autobiography, M likes the idea. \u201cWould you just make it up?\u201d she asks.<\/p>\n

A celebrity autobiography is seldom the work of the celebrity herself. And yet any suggestion that the narrator will serve as a kind of ghostwriter to M is dispensed with in a few pages. The pair meet for coffee at a luxury hotel and, after the narrator\u2019s partner falls suddenly and seriously ill, for lunch in a restaurant. The lunch is unsatisfactory, an attempt at intimacy that the narrator acknowledges afterwards to have been a mistake. Though M is determined to live as normal a life as possible (\u201cher personal task is to become real, or rather to acquire some reality\u201d), the narrator is uncomfortably aware of their own falseness with M: \u201cIt was as if I was acting, while M came across as authentic and real. It was as if she was the only one good enough at acting to attain reality.\u201d After that the two of them do not see one another again \u201cfor a long time\u201d.<\/p>\n

Continue reading…<\/a>\u00a0<\/p>\n

Read More<\/a><\/p>","protected":false},"excerpt":{"rendered":"

A teasing tale of the friendship between a writer and an actor explores the fallout from fame, and the blurring between pretence and reality M is a celebrated film actor. A\u00a0star since childhood, now the face of a major fashion brand, she has been famous all her life. That her career closely resembles Natalie Portman\u2019s...<\/p>\n","protected":false},"author":1,"featured_media":14841,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-14840","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"\nLife of M by Rachel Cusk review \u2013 is this story of a film star based on Natalie Portman? 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