{"id":14865,"date":"2026-08-22T09:40:45","date_gmt":"2026-08-22T09:40:45","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/08\/22\/four-blokes-and-a-zebra-crossing-the-banality-and-beauty-of-the-beatles-abbey-road-cover-culture-the-guardian\/"},"modified":"2026-08-22T09:40:45","modified_gmt":"2026-08-22T09:40:45","slug":"four-blokes-and-a-zebra-crossing-the-banality-and-beauty-of-the-beatles-abbey-road-cover-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/08\/22\/four-blokes-and-a-zebra-crossing-the-banality-and-beauty-of-the-beatles-abbey-road-cover-culture-the-guardian\/","title":{"rendered":"Four blokes and a zebra crossing: the banality and beauty of the Beatles\u2019 Abbey Road cover Culture | The Guardian"},"content":{"rendered":"

Much-copied and parodied picture captures dynamic between the individuals and the band with eerie perfection<\/p>\n

It\u2019s not really the four blokes on the zebra crossing who make the cover of the Beatles\u2019 Abbey Road memorable, but the street behind them. Vanishing towards a perfect blue sky, with summer trees veiling in bright green what might otherwise be dour brick houses, it could be a hyperreal vista painted by David Hockney. The black and white stripes of the crossing and the white line down the middle of the receding north London road are fresh and crisp, enhancing the clarity of this psychedelic daydream.<\/p>\n

Of course the four blokes do play a part. The Beatles were so transcendently famous by the time Iain Macmillan took this picture on 8 August 1969 that seeing them do something as ordinary as cross the road becomes a magical mystery.<\/p>\n

Continue reading…<\/a>\u00a0<\/p>\n

Read More<\/a><\/p>","protected":false},"excerpt":{"rendered":"

Much-copied and parodied picture captures dynamic between the individuals and the band with eerie perfection It\u2019s not really the four blokes on the zebra crossing who make the cover of the Beatles\u2019 Abbey Road memorable, but the street behind them. 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