{"id":15088,"date":"2026-08-31T15:34:11","date_gmt":"2026-08-31T15:34:11","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/08\/31\/a-playful-celebration-of-queer-horror-history-reviews-culture-socialist-worker\/"},"modified":"2026-08-31T15:34:11","modified_gmt":"2026-08-31T15:34:11","slug":"a-playful-celebration-of-queer-horror-history-reviews-culture-socialist-worker","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/08\/31\/a-playful-celebration-of-queer-horror-history-reviews-culture-socialist-worker\/","title":{"rendered":"A playful celebration of queer horror history Reviews &amp; Culture &#8211; Socialist Worker"},"content":{"rendered":"<div class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-181978\" class=\"size-full wp-image-181978\" src=\"https:\/\/socialistworker.co.uk\/wp-content\/uploads\/2026\/08\/3021_Jane-Schoenbrun.jpg\" alt=\"\" width=\"760\" height=\"508\" \/>\n<p class=\"wp-caption-text\">Jane Schoenbrun, perhaps the most prominent trans+ filmmaker at the moment (Pic: WikiMedia Commons)<\/p>\n<\/div>\n<p>Desire, fear and finding yourself through media\u2014these are the themes of new meta-slasher film, Teenage Sex and Death at Camp Miasma.<\/p>\n<p>Drenched in fake blood, stars Hannah Einbinder and Gillian Anderson walk hand in hand through a surprisingly comical and sweet story that pays homage to the emotional power of even the trashiest of horror franchises.<\/p>\n<p>Einbinder plays Kris, a young, queer film director whose success has seen her hired to reboot the Camp Miasma slasher franchise with a \u201cwoke\u201d sheen.<\/p>\n<p>Camp Miasma calls back to 1983\u2019s Sleepaway Camp, in the same vein as Friday the Thirteenth\u2014and their many, dubious sequels. This is the world of relentless, unkillable killers and innocent final girls.<\/p>\n<p>Anderson brings her unique charm to Billy Presley, the now reclusive star of the original film. Anderson\u2019s own committed fanbase adds another meta-level to the character.<\/p>\n<p>Kris goes in search of Billy to try to convince her to return. <\/p>\n<p>Their meeting\u2014at the abandoned camp where the films were made\u2014becomes a journey of queer desire and self-realisation.<\/p>\n<p>Director Jane Schoenbrun is perhaps the most prominent trans+ filmmaker right now. Their last film, I Saw the TV Glow, was an \u00ademotional warning of the destructive toll of denying your true identity.<\/p>\n<p>Camp Miasma is a \u00addreamier and lighter experience, which had me\u2014and the huge audience at my screening\u2014\u00adsmiling all the way through.<\/p>\n<p>What both films share is a love of horror. There is a \u00adwell-established LGBT+ \u00adaudience for the horror genre.<\/p>\n<p>For a queer spectator, the experience can be quite different, despite the ingrained misogyny and transphobia of the genre\u2014especially slashers. When marginalised groups are made monstrous, who is truly the villain?<\/p>\n<p>At Camp Miasma, the killer is Little Death\u2014played by Jack Haven\u2014a trans+ teen bullied to the end of their tether.<\/p>\n<p>In one of my favourite sequences, we see Little Death on a killing spree, slashing their way through their tormentors one by one with a spear, like Buffy the Vampire Slayer cutting a swathe through the forces of evil.<\/p>\n<p>Camp Miasma\u2019s dream logic interweaves the past, the present, \u201creality\u201d and film, building towards an exhilarating breakthrough for Kris.<\/p>\n<p>Is this a horror film? Yes and no. It celebrates the \u00adintertwined history of horror and \u00adqueerness, with joy, \u00adplayfulness\u2014and absolutely no shame.<\/p>\n<p><a href=\"https:\/\/socialistworker.co.uk\/reviews-and-culture\/a-playful-celebration-of-queer-horror-history\/\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/socialistworker.co.uk\/wp-content\/uploads\/2026\/08\/3021_Jane-Schoenbrun.jpg\" title=\"A playful celebration of queer horror history\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>Jane Schoenbrun, perhaps the most prominent trans+ filmmaker at the moment (Pic: WikiMedia Commons) Desire, fear and finding yourself through media\u2014these are the themes of new meta-slasher film, Teenage Sex and Death at Camp Miasma. Drenched in fake blood, stars Hannah Einbinder and Gillian Anderson walk hand in hand through a surprisingly comical and sweet&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":15089,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-15088","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>A playful celebration of queer horror history Reviews &amp; Culture - Socialist Worker - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/08\/31\/a-playful-celebration-of-queer-horror-history-reviews-culture-socialist-worker\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A playful celebration of queer horror history Reviews &amp; Culture - Socialist Worker - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"Jane Schoenbrun, perhaps the most prominent trans+ filmmaker at the moment (Pic: WikiMedia Commons) Desire, fear and finding yourself through media\u2014these are the themes of new meta-slasher film, Teenage Sex and Death at Camp Miasma. Drenched in fake blood, stars Hannah Einbinder and Gillian Anderson walk hand in hand through a surprisingly comical and sweet&#046;&#046;&#046;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/culturalleft.org\/cl\/2026\/08\/31\/a-playful-celebration-of-queer-horror-history-reviews-culture-socialist-worker\/\" \/>\n<meta property=\"og:site_name\" content=\"Cultural Left\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/culturalleft\" \/>\n<meta property=\"article:published_time\" content=\"2026-08-31T15:34:11+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/socialistworker.co.uk\/wp-content\/uploads\/2026\/08\/3021_Jane-Schoenbrun.jpg\" \/>\n<meta name=\"author\" content=\"Administrator\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:site\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Administrator\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/08\\\/31\\\/a-playful-celebration-of-queer-horror-history-reviews-culture-socialist-worker\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/08\\\/31\\\/a-playful-celebration-of-queer-horror-history-reviews-culture-socialist-worker\\\/\"},\"author\":{\"name\":\"Administrator\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/person\\\/94cf8075fda504f02a6c2fba01de1a33\"},\"headline\":\"A playful celebration of queer horror history Reviews &amp; 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