{"id":15092,"date":"2026-08-31T17:31:18","date_gmt":"2026-08-31T17:31:18","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/08\/31\/reading-and-leeds-festival-review-post-gcse-blowout-shows-how-dominant-dance-music-now-is-culture-the-guardian\/"},"modified":"2026-08-31T17:31:18","modified_gmt":"2026-08-31T17:31:18","slug":"reading-and-leeds-festival-review-post-gcse-blowout-shows-how-dominant-dance-music-now-is-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/08\/31\/reading-and-leeds-festival-review-post-gcse-blowout-shows-how-dominant-dance-music-now-is-culture-the-guardian\/","title":{"rendered":"Reading and Leeds festival review \u2013 post-GCSE blowout shows how dominant dance music now is Culture | The Guardian"},"content":{"rendered":"<p><strong>Bramham Park, Leeds<br \/><\/strong>Charli xcx and Fontaines DC are spellbinding and there\u2019s an awesome array of genres, but the biggest turnouts are for tech house names like Kettama and Josh Baker<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/music\/2026\/aug\/29\/charli-xcx-reading-festival-review-pretentious-just-a-bit-but-nietzsche-would-have-loved-it\">\u2022 Charli xcx, Reading festival review \u2013 Pretentious? Just a bit. But Nietzsche would have loved it<\/a><\/p>\n<p>Reading and Leeds festival will probably always be a post-GCSE rite of passage: a gleefully riotous taste of freedom before having to make actual life decisions. But the sibling events have been struggling for a sense of identity beyond this, particularly post-Covid. In 2025, the festival decided to theme days based on genre, which felt out of touch \u2013 but, this year, organisers have decided to tackle gen Z\u2019s borderless approach head on. There are new stages, such as the chandelier-adorned Ballroom, and overall the lineup is wonderfully mazy.<\/p>\n<p>On the festival\u2019s second stage, you can catch everything from UK rap and garage selector DJ EJ, warbly US rockers Geese, and raw, live-drummed jungle from 4am Kru. \u201cI dedicate this one to all the bad bitches from small places. Let\u2019s make a song about the bad bitches from Leeds,\u201d Slovakian pop star Ad\u00e9la gleefully giggles during her own set here, before launching into neon-streaked megahit Ain\u2019t in LA. In a ping-ponging journey across styles, other highlights include London singer Dexter in the Newsagent\u2019s blue-skied bedroom pop, Australian artist Mall Grab\u2019s Game Boy grime beats and Bar Italia\u2019s insouciant rock, which is significantly more fun and dance-y than their recent lukewarm album reviews might suggest.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/music\/2026\/aug\/31\/reading-and-leeds-festival-review-bramham-park-leeds-charli-xcx-fontaines-dc-kettama\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/music\/2026\/aug\/31\/reading-and-leeds-festival-review-bramham-park-leeds-charli-xcx-fontaines-dc-kettama\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/3c5b366e143b4b80e2f76ef90eb0416122e9004d\/0_430_2905_2323\/master\/2905.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=461c64fb804824cdb0861d7b230e97be\" title=\"Reading and Leeds festival review \u2013 post-GCSE blowout shows how dominant dance music now is\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>Bramham Park, LeedsCharli xcx and Fontaines DC are spellbinding and there\u2019s an awesome array of genres, but the biggest turnouts are for tech house names like Kettama and Josh Baker \u2022 Charli xcx, Reading festival review \u2013 Pretentious? Just a bit. But Nietzsche would have loved it Reading and Leeds festival will probably always be&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":15093,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-15092","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Reading and Leeds festival review \u2013 post-GCSE blowout shows how dominant dance music now is Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/08\/31\/reading-and-leeds-festival-review-post-gcse-blowout-shows-how-dominant-dance-music-now-is-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Reading and Leeds festival review \u2013 post-GCSE blowout shows how dominant dance music now is Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"Bramham Park, LeedsCharli xcx and Fontaines DC are spellbinding and there\u2019s an awesome array of genres, but the biggest turnouts are for tech house names like Kettama and Josh Baker \u2022 Charli xcx, Reading festival review \u2013 Pretentious? Just a bit. But Nietzsche would have loved it Reading and Leeds festival will probably always be&#046;&#046;&#046;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/culturalleft.org\/cl\/2026\/08\/31\/reading-and-leeds-festival-review-post-gcse-blowout-shows-how-dominant-dance-music-now-is-culture-the-guardian\/\" \/>\n<meta property=\"og:site_name\" content=\"Cultural Left\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/culturalleft\" \/>\n<meta property=\"article:published_time\" content=\"2026-08-31T17:31:18+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i.guim.co.uk\/img\/media\/3c5b366e143b4b80e2f76ef90eb0416122e9004d\/0_430_2905_2323\/master\/2905.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=461c64fb804824cdb0861d7b230e97be\" \/>\n<meta name=\"author\" content=\"Administrator\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:site\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Administrator\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/08\\\/31\\\/reading-and-leeds-festival-review-post-gcse-blowout-shows-how-dominant-dance-music-now-is-culture-the-guardian\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/08\\\/31\\\/reading-and-leeds-festival-review-post-gcse-blowout-shows-how-dominant-dance-music-now-is-culture-the-guardian\\\/\"},\"author\":{\"name\":\"Administrator\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/person\\\/94cf8075fda504f02a6c2fba01de1a33\"},\"headline\":\"Reading and Leeds festival review \u2013 post-GCSE blowout shows how dominant dance music now is Culture | The Guardian\",\"datePublished\":\"2026-08-31T17:31:18+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/08\\\/31\\\/reading-and-leeds-festival-review-post-gcse-blowout-shows-how-dominant-dance-music-now-is-culture-the-guardian\\\/\"},\"wordCount\":278,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/08\\\/31\\\/reading-and-leeds-festival-review-post-gcse-blowout-shows-how-dominant-dance-music-now-is-culture-the-guardian\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/08\\\/2905-QWypjJ.jpg\",\"articleSection\":[\"Uncategorized\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/08\\\/31\\\/reading-and-leeds-festival-review-post-gcse-blowout-shows-how-dominant-dance-music-now-is-culture-the-guardian\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/08\\\/31\\\/reading-and-leeds-festival-review-post-gcse-blowout-shows-how-dominant-dance-music-now-is-culture-the-guardian\\\/\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/08\\\/31\\\/reading-and-leeds-festival-review-post-gcse-blowout-shows-how-dominant-dance-music-now-is-culture-the-guardian\\\/\",\"name\":\"Reading and Leeds festival review \u2013 post-GCSE blowout shows how dominant dance music now is Culture | The Guardian - 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