{"id":15135,"date":"2026-09-02T10:31:47","date_gmt":"2026-09-02T10:31:47","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/09\/02\/late-fame-review-willem-dafoe-superb-as-ever-as-twilight-years-bohemian-getting-a-second-chance-culture-the-guardian\/"},"modified":"2026-09-02T10:31:47","modified_gmt":"2026-09-02T10:31:47","slug":"late-fame-review-willem-dafoe-superb-as-ever-as-twilight-years-bohemian-getting-a-second-chance-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/09\/02\/late-fame-review-willem-dafoe-superb-as-ever-as-twilight-years-bohemian-getting-a-second-chance-culture-the-guardian\/","title":{"rendered":"Late Fame review \u2013 Willem Dafoe superb as ever as twilight-years bohemian getting a second chance Culture | The Guardian"},"content":{"rendered":"<p>Samy Burch\u2019s adaptation of an Arthur Schnitzler novella sees Dafoe\u2019s ageing poet embraced by a younger cohort of capricious hipsters. It\u2019s smart, literate and affecting<\/p>\n<p>There\u2019s a marvellous tenderness and generosity to this elegant tale of autumnal regret; an intimate movie acted with effortless grace by Willem Dafoe. In fact, this is yet another of his almost numberless performances of intelligence and self-possession. Screenwriter Samy Burch has adapted a novella by Arthur Schnitzler, which has been directed by critic turned film-maker Kent Jones (who in 2015 made <a href=\"https:\/\/www.theguardian.com\/film\/2015\/may\/19\/hitchcocktruffaut-review-cannes-looks-back-to-a-golden-past-of-cinephilia\">Hitchcock\/Truffaut<\/a>, a documentary that I very much admired). Their movie finds a new variation on the Schnitzlerian theme of life\u2019s lost opportunities for love, lust and success, and how, as mortality\u2019s shadow closes in, one might be tempted to risk everything for a last chance at worldly triumph.<\/p>\n<p>The main character here is a distant cousin \u2013 though a wiser cousin \u2013 to the doctor in Schnitzler\u2019s Traumnovelle or Dream Story, filmed by Kubrick as Eyes Wide Shut. Dafoe plays Ed Saxberger, an old guy in New York who works in the post office, sorting mail, perhaps without the means to retire, living solo in a small but book-filled room in a humble walkup, drinking and playing pool with his buddies in the evening. One day, Saxberger is astonished to be accosted by a dandyish young hipster outside his apartment building; this is Meyers (played by Edmund Donovan), who knows something about Saxberger that nobody else does. Saxberger was once a talented young poet in the 70s New York bohemian scene and Meyers has found his long since out-of-print volume of poems, entitled Way Past Go. He declares Saxberger a neglected genius that he, and his similarly callow and excitable literary friends, are going to take up.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/film\/2026\/sep\/02\/late-fame-review-willem-dafoe\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/film\/2026\/sep\/02\/late-fame-review-willem-dafoe\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/16dc48a4225f643144f009379e3b2ba68e877958\/211_0_2500_2000\/master\/2500.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=f32720d8715a923ffb8e0d6be6323491\" title=\"Late Fame review \u2013 Willem Dafoe superb as ever as twilight-years bohemian getting a second chance\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>Samy Burch\u2019s adaptation of an Arthur Schnitzler novella sees Dafoe\u2019s ageing poet embraced by a younger cohort of capricious hipsters. It\u2019s smart, literate and affecting There\u2019s a marvellous tenderness and generosity to this elegant tale of autumnal regret; an intimate movie acted with effortless grace by Willem Dafoe. In fact, this is yet another of&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":15136,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-15135","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Late Fame review \u2013 Willem Dafoe superb as ever as twilight-years bohemian getting a second chance Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/09\/02\/late-fame-review-willem-dafoe-superb-as-ever-as-twilight-years-bohemian-getting-a-second-chance-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Late Fame review \u2013 Willem Dafoe superb as ever as twilight-years bohemian getting a second chance Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"Samy Burch\u2019s adaptation of an Arthur Schnitzler novella sees Dafoe\u2019s ageing poet embraced by a younger cohort of capricious hipsters. It\u2019s smart, literate and affecting There\u2019s a marvellous tenderness and generosity to this elegant tale of autumnal regret; an intimate movie acted with effortless grace by Willem Dafoe. In fact, this is yet another of&#046;&#046;&#046;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/culturalleft.org\/cl\/2026\/09\/02\/late-fame-review-willem-dafoe-superb-as-ever-as-twilight-years-bohemian-getting-a-second-chance-culture-the-guardian\/\" \/>\n<meta property=\"og:site_name\" content=\"Cultural Left\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/culturalleft\" \/>\n<meta property=\"article:published_time\" content=\"2026-09-02T10:31:47+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i.guim.co.uk\/img\/media\/16dc48a4225f643144f009379e3b2ba68e877958\/211_0_2500_2000\/master\/2500.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=f32720d8715a923ffb8e0d6be6323491\" \/>\n<meta name=\"author\" content=\"Administrator\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:site\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Administrator\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/02\\\/late-fame-review-willem-dafoe-superb-as-ever-as-twilight-years-bohemian-getting-a-second-chance-culture-the-guardian\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/02\\\/late-fame-review-willem-dafoe-superb-as-ever-as-twilight-years-bohemian-getting-a-second-chance-culture-the-guardian\\\/\"},\"author\":{\"name\":\"Administrator\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/person\\\/94cf8075fda504f02a6c2fba01de1a33\"},\"headline\":\"Late Fame review \u2013 Willem Dafoe superb as ever as twilight-years bohemian getting a second chance Culture | The Guardian\",\"datePublished\":\"2026-09-02T10:31:47+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/02\\\/late-fame-review-willem-dafoe-superb-as-ever-as-twilight-years-bohemian-getting-a-second-chance-culture-the-guardian\\\/\"},\"wordCount\":321,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/02\\\/late-fame-review-willem-dafoe-superb-as-ever-as-twilight-years-bohemian-getting-a-second-chance-culture-the-guardian\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/2500-zqdGMQ.jpg\",\"articleSection\":[\"Uncategorized\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/02\\\/late-fame-review-willem-dafoe-superb-as-ever-as-twilight-years-bohemian-getting-a-second-chance-culture-the-guardian\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/02\\\/late-fame-review-willem-dafoe-superb-as-ever-as-twilight-years-bohemian-getting-a-second-chance-culture-the-guardian\\\/\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/02\\\/late-fame-review-willem-dafoe-superb-as-ever-as-twilight-years-bohemian-getting-a-second-chance-culture-the-guardian\\\/\",\"name\":\"Late Fame review \u2013 Willem Dafoe superb as ever as twilight-years bohemian getting a second chance Culture | The Guardian - 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