{"id":15207,"date":"2026-09-04T13:31:27","date_gmt":"2026-09-04T13:31:27","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/09\/04\/berlin-philharmonic-petrenko-hadelich-review-flawless-musical-beauty-culture-the-guardian\/"},"modified":"2026-09-04T13:31:27","modified_gmt":"2026-09-04T13:31:27","slug":"berlin-philharmonic-petrenko-hadelich-review-flawless-musical-beauty-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/09\/04\/berlin-philharmonic-petrenko-hadelich-review-flawless-musical-beauty-culture-the-guardian\/","title":{"rendered":"Berlin Philharmonic\/ Petrenko\/ Hadelich review \u2013 flawless musical beauty Culture | The Guardian"},"content":{"rendered":"<p><strong>Royal Albert Hall, London<\/strong><br \/>In their <a href=\"https:\/\/www.theguardian.com\/music\/2026\/sep\/03\/berlin-philharmonic-petrenko-review-proms-elgar-tchaikovsky\">second Proms concert<\/a>, the Berlin Phil brought Beethoven\u2019s Violin Concerto (with Augustin Hadelich the virtuosic and breathtaking soloist), and a detailed and compelling take on Scriabin\u2019s third symphony<\/p>\n<p>It\u2019s the clarity that hits you first. The soft thuds of timpani that open Beethoven\u2019s Violin Concerto landed from the back of the stage with the immediacy of taps on the shoulder, quietly urgent. The string sound was simultaneously luminous and translucent. Pizzicato bass-lines were shaped as if the main event and bubbled upwards through the rest of the texture. You\u2019ll hear orchestral playing to match this on high-end studio recordings, of course, where the entire process can be geared to achieving such crystalline polish. And the BBC\u2019s sound engineers can work miracles in real time on radio broadcasts of Proms performances. But to produce such lucidity live \u2013 particularly in the Royal Albert Hall, with its monumental bathroom acoustic \u2013 is another thing entirely.<\/p>\n<p>For that, you need an orchestra of <a href=\"https:\/\/www.theguardian.com\/music\/2026\/sep\/02\/is-the-berlin-philharmonic-really-better-than-all-the-rest-proms-edinburgh-festival-petrenko\">the calibre of the Berlin Philharmonic<\/a> under its chief conductor <a href=\"https:\/\/www.arsis-artists.com\/en\/artists\/kirill-petrenko\">Kirill Petrenko<\/a>. But violinist <a href=\"https:\/\/augustinhadelich.com\/en\">Augustin Hadelich<\/a> also served up his own brand of astonishingly flawless musical beauty as the soloist in the Beethoven. In the first movement, his rising octaves appeared to float out of the orchestra, his bowing inaudible \u2013 the kind of violin-playing, in fact, that appears to defy the laws of physics. The slow movement was a masterclass in bel canto, the third a biting, bouncing romp as both Hadelich and Petrenko pushed gleefully through the rondo theme. The apparent ease of Hadelich\u2019s virtuosity \u2013 all his energy seemingly focused on phrasing and dialogue with the orchestra \u2013 was nothing short of breathtaking.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/music\/2026\/sep\/04\/berlin-philharmonic-kirill-petrenko-augustin-hadelich-prom-review-beethoven-scriabin\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/music\/2026\/sep\/04\/berlin-philharmonic-kirill-petrenko-augustin-hadelich-prom-review-beethoven-scriabin\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/416067ff60bced3507a1ca73246287577d5847c5\/199_125_1341_1072\/master\/1341.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=9e4f37cad0d50dde1aac651cff200136\" title=\"Berlin Philharmonic\/ Petrenko\/ Hadelich review \u2013 flawless musical beauty\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>Royal Albert Hall, LondonIn their second Proms concert, the Berlin Phil brought Beethoven\u2019s Violin Concerto (with Augustin Hadelich the virtuosic and breathtaking soloist), and a detailed and compelling take on Scriabin\u2019s third symphony It\u2019s the clarity that hits you first. The soft thuds of timpani that open Beethoven\u2019s Violin Concerto landed from the back of&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":15208,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-15207","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Berlin Philharmonic\/ Petrenko\/ Hadelich review \u2013 flawless musical beauty Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/09\/04\/berlin-philharmonic-petrenko-hadelich-review-flawless-musical-beauty-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Berlin Philharmonic\/ Petrenko\/ Hadelich review \u2013 flawless musical beauty Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"Royal Albert Hall, LondonIn their second Proms concert, the Berlin Phil brought Beethoven\u2019s Violin Concerto (with Augustin Hadelich the virtuosic and breathtaking soloist), and a detailed and compelling take on Scriabin\u2019s third symphony It\u2019s the clarity that hits you first. The soft thuds of timpani that open Beethoven\u2019s Violin Concerto landed from the back of&#046;&#046;&#046;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/culturalleft.org\/cl\/2026\/09\/04\/berlin-philharmonic-petrenko-hadelich-review-flawless-musical-beauty-culture-the-guardian\/\" \/>\n<meta property=\"og:site_name\" content=\"Cultural Left\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/culturalleft\" \/>\n<meta property=\"article:published_time\" content=\"2026-09-04T13:31:27+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i.guim.co.uk\/img\/media\/416067ff60bced3507a1ca73246287577d5847c5\/199_125_1341_1072\/master\/1341.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=9e4f37cad0d50dde1aac651cff200136\" \/>\n<meta name=\"author\" content=\"Administrator\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:site\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Administrator\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/04\\\/berlin-philharmonic-petrenko-hadelich-review-flawless-musical-beauty-culture-the-guardian\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/04\\\/berlin-philharmonic-petrenko-hadelich-review-flawless-musical-beauty-culture-the-guardian\\\/\"},\"author\":{\"name\":\"Administrator\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/person\\\/94cf8075fda504f02a6c2fba01de1a33\"},\"headline\":\"Berlin Philharmonic\\\/ Petrenko\\\/ Hadelich review \u2013 flawless musical beauty Culture | The Guardian\",\"datePublished\":\"2026-09-04T13:31:27+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/04\\\/berlin-philharmonic-petrenko-hadelich-review-flawless-musical-beauty-culture-the-guardian\\\/\"},\"wordCount\":299,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/04\\\/berlin-philharmonic-petrenko-hadelich-review-flawless-musical-beauty-culture-the-guardian\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/1341-Jnq0HB.jpg\",\"articleSection\":[\"Uncategorized\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/04\\\/berlin-philharmonic-petrenko-hadelich-review-flawless-musical-beauty-culture-the-guardian\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/04\\\/berlin-philharmonic-petrenko-hadelich-review-flawless-musical-beauty-culture-the-guardian\\\/\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/04\\\/berlin-philharmonic-petrenko-hadelich-review-flawless-musical-beauty-culture-the-guardian\\\/\",\"name\":\"Berlin Philharmonic\\\/ Petrenko\\\/ Hadelich review \u2013 flawless musical beauty Culture | The Guardian - 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