{"id":15391,"date":"2026-09-11T07:37:06","date_gmt":"2026-09-11T07:37:06","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/09\/11\/in-support-of-the-fourth-wall-proscenium-arch-theatres-surprisingly-radical-history-culture-the-guardian\/"},"modified":"2026-09-11T07:37:06","modified_gmt":"2026-09-11T07:37:06","slug":"in-support-of-the-fourth-wall-proscenium-arch-theatres-surprisingly-radical-history-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/09\/11\/in-support-of-the-fourth-wall-proscenium-arch-theatres-surprisingly-radical-history-culture-the-guardian\/","title":{"rendered":"In support of the fourth wall: proscenium arch theatre\u2019s surprisingly radical history Culture | The Guardian"},"content":{"rendered":"<p>Dominic Dromgoole\u2019s new book, Time Frames, shows how this format\u2019s stuffy reputation belies the room it has made for daring experiments from Chekhov to Brecht and beyond<\/p>\n<p>How do you make theatre history come alive? One way is through creating lists backed up by quirky essays. I tried that myself in <a href=\"https:\/\/www.theguardian.com\/stage\/2015\/aug\/26\/choosing-101-greatest-plays-michael-billington\">The 101 Greatest Plays<\/a>, which is one reason why I\u2019m in awe of Dominic Dromgoole who, in Time Frames extends the possibilities of the format and comes up with a book that is passionate, personal, informative and argumentative. It just seems unfair that a director should outperform most of us critics.<\/p>\n<p>He starts with the advantage of a strong framework. His book covers the years from 1865 to 1965, when the proscenium theatre was dominant, and deals with more than 70 playwrights. Today we celebrate the limitless possibilities of theatre with open, apron, traverse and circular stages but Dromgoole enthuses over a time when plays were mainly enclosed behind a proscenium arch. He describes the form as \u201cliberatingly restrictive\u201d like the 14-line sonnet or the 12-bar blues and he has a point.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/stage\/2026\/sep\/11\/in-support-of-the-fourth-wall-proscenium-arch-theatres-surprisingly-radical-history\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/stage\/2026\/sep\/11\/in-support-of-the-fourth-wall-proscenium-arch-theatres-surprisingly-radical-history\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/4b60ef800c52689d8dc9e7ac014f4885fbe90841\/500_0_5422_4338\/master\/5422.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=5520a870dae38a7150388025713b3474\" title=\"In support of the fourth wall: proscenium arch theatre\u2019s surprisingly radical history\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>Dominic Dromgoole\u2019s new book, Time Frames, shows how this format\u2019s stuffy reputation belies the room it has made for daring experiments from Chekhov to Brecht and beyond How do you make theatre history come alive? One way is through creating lists backed up by quirky essays. I tried that myself in The 101 Greatest Plays,&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":15392,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-15391","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>In support of the fourth wall: proscenium arch theatre\u2019s surprisingly radical history Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/09\/11\/in-support-of-the-fourth-wall-proscenium-arch-theatres-surprisingly-radical-history-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"In support of the fourth wall: proscenium arch theatre\u2019s surprisingly radical history Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"Dominic Dromgoole\u2019s new book, Time Frames, shows how this format\u2019s stuffy reputation belies the room it has made for daring experiments from Chekhov to Brecht and beyond How do you make theatre history come alive? One way is through creating lists backed up by quirky essays. I tried that myself in The 101 Greatest Plays,&#046;&#046;&#046;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/culturalleft.org\/cl\/2026\/09\/11\/in-support-of-the-fourth-wall-proscenium-arch-theatres-surprisingly-radical-history-culture-the-guardian\/\" \/>\n<meta property=\"og:site_name\" content=\"Cultural Left\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/culturalleft\" \/>\n<meta property=\"article:published_time\" content=\"2026-09-11T07:37:06+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i.guim.co.uk\/img\/media\/4b60ef800c52689d8dc9e7ac014f4885fbe90841\/500_0_5422_4338\/master\/5422.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=5520a870dae38a7150388025713b3474\" \/>\n<meta name=\"author\" content=\"Administrator\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:site\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Administrator\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/11\\\/in-support-of-the-fourth-wall-proscenium-arch-theatres-surprisingly-radical-history-culture-the-guardian\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/11\\\/in-support-of-the-fourth-wall-proscenium-arch-theatres-surprisingly-radical-history-culture-the-guardian\\\/\"},\"author\":{\"name\":\"Administrator\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/person\\\/94cf8075fda504f02a6c2fba01de1a33\"},\"headline\":\"In support of the fourth wall: proscenium arch theatre\u2019s surprisingly radical history Culture | The Guardian\",\"datePublished\":\"2026-09-11T07:37:06+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/11\\\/in-support-of-the-fourth-wall-proscenium-arch-theatres-surprisingly-radical-history-culture-the-guardian\\\/\"},\"wordCount\":202,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/11\\\/in-support-of-the-fourth-wall-proscenium-arch-theatres-surprisingly-radical-history-culture-the-guardian\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/5422-Fx70zg.jpg\",\"articleSection\":[\"Uncategorized\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/11\\\/in-support-of-the-fourth-wall-proscenium-arch-theatres-surprisingly-radical-history-culture-the-guardian\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/11\\\/in-support-of-the-fourth-wall-proscenium-arch-theatres-surprisingly-radical-history-culture-the-guardian\\\/\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/11\\\/in-support-of-the-fourth-wall-proscenium-arch-theatres-surprisingly-radical-history-culture-the-guardian\\\/\",\"name\":\"In support of the fourth wall: proscenium arch theatre\u2019s surprisingly radical history Culture | The Guardian - 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