{"id":15397,"date":"2026-09-11T10:36:21","date_gmt":"2026-09-11T10:36:21","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/09\/11\/our-eyes-looking-for-god-review-exploring-the-black-british-experience-in-rap-reggae-and-arias-culture-the-guardian\/"},"modified":"2026-09-11T10:36:21","modified_gmt":"2026-09-11T10:36:21","slug":"our-eyes-looking-for-god-review-exploring-the-black-british-experience-in-rap-reggae-and-arias-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/09\/11\/our-eyes-looking-for-god-review-exploring-the-black-british-experience-in-rap-reggae-and-arias-culture-the-guardian\/","title":{"rendered":"Our Eyes Looking for God review \u2013 exploring the Black British experience in rap, reggae and arias Culture | The Guardian"},"content":{"rendered":"<p><strong>The Pit, Barbican, London<br \/><\/strong>Renell Shaw and TD Moyo\u2019s new opera, with libretto by April Koyejo-Audiger, tells a tragic story of two cousins. Gamba Cole shines as Adjani<\/p>\n<p>\u2018There\u2019s no ocean big enough to hold these black boys\u2019 tears,\u201d a young man sings. But what about a genre big enough? Our Eyes Looking for God \u2013 a show that aims to explore the \u201cBlack British experience\u201d \u2013 finds a framework for the extravagant, baroque emotions, intensities and stories of its subject matter in opera. In many ways it\u2019s a natural fit \u2013 or could be.<\/p>\n<p>Created in 2020 by writer, director and activist TD Moyo and award-wining composer <a href=\"https:\/\/www.theguardian.com\/music\/2026\/jun\/12\/renell-shaw-jazz-musician-interview-windrush-suite-kings-place\">Renell Shaw<\/a>, the piece grows out of Moyo\u2019s personal grief for a brother murdered in south London and the global race rage after George Floyd\u2019s death. Moyo weaves both threads into the story of Liverpool cousins Adjani and Kamal. Adjani\u2019s decision to leave for London sparks a final night of reminiscences, celebrations, farewells and violent tragedy for two boys who \u2013 spoiler alert \u2013 may already be dead before the action begins.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/music\/2026\/sep\/11\/our-eyes-looking-for-god-review-the-pit-barbican-london\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/music\/2026\/sep\/11\/our-eyes-looking-for-god-review-the-pit-barbican-london\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/63beff05ab5b0dabc8685c07c38081623f07c81b\/578_0_6664_5333\/master\/6664.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=c11e6a632bec5d7c0429bdc8d0f1c47f\" title=\"Our Eyes Looking for God review \u2013 exploring the Black British experience in rap, reggae and arias\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>The Pit, Barbican, LondonRenell Shaw and TD Moyo\u2019s new opera, with libretto by April Koyejo-Audiger, tells a tragic story of two cousins. Gamba Cole shines as Adjani \u2018There\u2019s no ocean big enough to hold these black boys\u2019 tears,\u201d a young man sings. But what about a genre big enough? Our Eyes Looking for God \u2013&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":15398,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-15397","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Our Eyes Looking for God review \u2013 exploring the Black British experience in rap, reggae and arias Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/09\/11\/our-eyes-looking-for-god-review-exploring-the-black-british-experience-in-rap-reggae-and-arias-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Our Eyes Looking for God review \u2013 exploring the Black British experience in rap, reggae and arias Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"The Pit, Barbican, LondonRenell Shaw and TD Moyo\u2019s new opera, with libretto by April Koyejo-Audiger, tells a tragic story of two cousins. Gamba Cole shines as Adjani \u2018There\u2019s no ocean big enough to hold these black boys\u2019 tears,\u201d a young man sings. But what about a genre big enough? Our Eyes Looking for God \u2013&#046;&#046;&#046;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/culturalleft.org\/cl\/2026\/09\/11\/our-eyes-looking-for-god-review-exploring-the-black-british-experience-in-rap-reggae-and-arias-culture-the-guardian\/\" \/>\n<meta property=\"og:site_name\" content=\"Cultural Left\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/culturalleft\" \/>\n<meta property=\"article:published_time\" content=\"2026-09-11T10:36:21+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i.guim.co.uk\/img\/media\/63beff05ab5b0dabc8685c07c38081623f07c81b\/578_0_6664_5333\/master\/6664.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=c11e6a632bec5d7c0429bdc8d0f1c47f\" \/>\n<meta name=\"author\" content=\"Administrator\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:site\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Administrator\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/11\\\/our-eyes-looking-for-god-review-exploring-the-black-british-experience-in-rap-reggae-and-arias-culture-the-guardian\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/11\\\/our-eyes-looking-for-god-review-exploring-the-black-british-experience-in-rap-reggae-and-arias-culture-the-guardian\\\/\"},\"author\":{\"name\":\"Administrator\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/person\\\/94cf8075fda504f02a6c2fba01de1a33\"},\"headline\":\"Our Eyes Looking for God review \u2013 exploring the Black British experience in rap, reggae and arias Culture | The Guardian\",\"datePublished\":\"2026-09-11T10:36:21+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/11\\\/our-eyes-looking-for-god-review-exploring-the-black-british-experience-in-rap-reggae-and-arias-culture-the-guardian\\\/\"},\"wordCount\":203,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/11\\\/our-eyes-looking-for-god-review-exploring-the-black-british-experience-in-rap-reggae-and-arias-culture-the-guardian\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/6664-BSlNYT.jpg\",\"articleSection\":[\"Uncategorized\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/11\\\/our-eyes-looking-for-god-review-exploring-the-black-british-experience-in-rap-reggae-and-arias-culture-the-guardian\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/11\\\/our-eyes-looking-for-god-review-exploring-the-black-british-experience-in-rap-reggae-and-arias-culture-the-guardian\\\/\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/11\\\/our-eyes-looking-for-god-review-exploring-the-black-british-experience-in-rap-reggae-and-arias-culture-the-guardian\\\/\",\"name\":\"Our Eyes Looking for God review \u2013 exploring the Black British experience in rap, reggae and arias Culture | The Guardian - Cultural Left\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/11\\\/our-eyes-looking-for-god-review-exploring-the-black-british-experience-in-rap-reggae-and-arias-culture-the-guardian\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/11\\\/our-eyes-looking-for-god-review-exploring-the-black-british-experience-in-rap-reggae-and-arias-culture-the-guardian\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/6664-BSlNYT.jpg\",\"datePublished\":\"2026-09-11T10:36:21+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/11\\\/our-eyes-looking-for-god-review-exploring-the-black-british-experience-in-rap-reggae-and-arias-culture-the-guardian\\\/#breadcrumb\"},\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/11\\\/our-eyes-looking-for-god-review-exploring-the-black-british-experience-in-rap-reggae-and-arias-culture-the-guardian\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/11\\\/our-eyes-looking-for-god-review-exploring-the-black-british-experience-in-rap-reggae-and-arias-culture-the-guardian\\\/#primaryimage\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/6664-BSlNYT.jpg\",\"contentUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/6664-BSlNYT.jpg\",\"width\":140,\"height\":112},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/11\\\/our-eyes-looking-for-god-review-exploring-the-black-british-experience-in-rap-reggae-and-arias-culture-the-guardian\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Our Eyes Looking for God review \u2013 exploring the Black British experience in rap, reggae and arias Culture | The Guardian\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#website\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/\",\"name\":\"Cultural Left\",\"description\":\"Culturalising Democracy - Democratising Culture\",\"publisher\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-GB\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#organization\",\"name\":\"Cultural Left\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2023\\\/11\\\/cropped-CYLTURALLEFTLOGOGOOD2023.png\",\"contentUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2023\\\/11\\\/cropped-CYLTURALLEFTLOGOGOOD2023.png\",\"width\":484,\"height\":190,\"caption\":\"Cultural Left\"},\"image\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/culturalleft\",\"https:\\\/\\\/x.com\\\/culturalleft\",\"https:\\\/\\\/www.tiktok.com\\\/culturalleft\",\"https:\\\/\\\/www.instagram.com\\\/culturalleft\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/person\\\/94cf8075fda504f02a6c2fba01de1a33\",\"name\":\"Administrator\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g\",\"caption\":\"Administrator\"},\"sameAs\":[\"https:\\\/\\\/culturalleft.org\\\/cl\"],\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/author\\\/administrator\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Our Eyes Looking for God review \u2013 exploring the Black British experience in rap, reggae and arias Culture | The Guardian - Cultural Left","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/culturalleft.org\/cl\/2026\/09\/11\/our-eyes-looking-for-god-review-exploring-the-black-british-experience-in-rap-reggae-and-arias-culture-the-guardian\/","og_locale":"en_GB","og_type":"article","og_title":"Our Eyes Looking for God review \u2013 exploring the Black British experience in rap, reggae and arias Culture | The Guardian - Cultural Left","og_description":"The Pit, Barbican, LondonRenell Shaw and TD Moyo\u2019s new opera, with libretto by April Koyejo-Audiger, tells a tragic story of two cousins. Gamba Cole shines as Adjani \u2018There\u2019s no ocean big enough to hold these black boys\u2019 tears,\u201d a young man sings. But what about a genre big enough? Our Eyes Looking for God \u2013&#46;&#46;&#46;","og_url":"https:\/\/culturalleft.org\/cl\/2026\/09\/11\/our-eyes-looking-for-god-review-exploring-the-black-british-experience-in-rap-reggae-and-arias-culture-the-guardian\/","og_site_name":"Cultural Left","article_publisher":"https:\/\/www.facebook.com\/culturalleft","article_published_time":"2026-09-11T10:36:21+00:00","og_image":[{"url":"https:\/\/i.guim.co.uk\/img\/media\/63beff05ab5b0dabc8685c07c38081623f07c81b\/578_0_6664_5333\/master\/6664.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=c11e6a632bec5d7c0429bdc8d0f1c47f","type":"","width":"","height":""}],"author":"Administrator","twitter_card":"summary_large_image","twitter_creator":"@culturalleft","twitter_site":"@culturalleft","twitter_misc":{"Written by":"Administrator","Estimated reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/culturalleft.org\/cl\/2026\/09\/11\/our-eyes-looking-for-god-review-exploring-the-black-british-experience-in-rap-reggae-and-arias-culture-the-guardian\/#article","isPartOf":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/09\/11\/our-eyes-looking-for-god-review-exploring-the-black-british-experience-in-rap-reggae-and-arias-culture-the-guardian\/"},"author":{"name":"Administrator","@id":"https:\/\/culturalleft.org\/cl\/#\/schema\/person\/94cf8075fda504f02a6c2fba01de1a33"},"headline":"Our Eyes Looking for God review \u2013 exploring the Black British experience in rap, reggae and arias Culture | The Guardian","datePublished":"2026-09-11T10:36:21+00:00","mainEntityOfPage":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/09\/11\/our-eyes-looking-for-god-review-exploring-the-black-british-experience-in-rap-reggae-and-arias-culture-the-guardian\/"},"wordCount":203,"commentCount":0,"publisher":{"@id":"https:\/\/culturalleft.org\/cl\/#organization"},"image":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/09\/11\/our-eyes-looking-for-god-review-exploring-the-black-british-experience-in-rap-reggae-and-arias-culture-the-guardian\/#primaryimage"},"thumbnailUrl":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2026\/09\/6664-BSlNYT.jpg","articleSection":["Uncategorized"],"inLanguage":"en-GB","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/culturalleft.org\/cl\/2026\/09\/11\/our-eyes-looking-for-god-review-exploring-the-black-british-experience-in-rap-reggae-and-arias-culture-the-guardian\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/culturalleft.org\/cl\/2026\/09\/11\/our-eyes-looking-for-god-review-exploring-the-black-british-experience-in-rap-reggae-and-arias-culture-the-guardian\/","url":"https:\/\/culturalleft.org\/cl\/2026\/09\/11\/our-eyes-looking-for-god-review-exploring-the-black-british-experience-in-rap-reggae-and-arias-culture-the-guardian\/","name":"Our Eyes Looking for God review \u2013 exploring the Black British experience in rap, reggae and arias Culture | The Guardian - Cultural Left","isPartOf":{"@id":"https:\/\/culturalleft.org\/cl\/#website"},"primaryImageOfPage":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/09\/11\/our-eyes-looking-for-god-review-exploring-the-black-british-experience-in-rap-reggae-and-arias-culture-the-guardian\/#primaryimage"},"image":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/09\/11\/our-eyes-looking-for-god-review-exploring-the-black-british-experience-in-rap-reggae-and-arias-culture-the-guardian\/#primaryimage"},"thumbnailUrl":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2026\/09\/6664-BSlNYT.jpg","datePublished":"2026-09-11T10:36:21+00:00","breadcrumb":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/09\/11\/our-eyes-looking-for-god-review-exploring-the-black-british-experience-in-rap-reggae-and-arias-culture-the-guardian\/#breadcrumb"},"inLanguage":"en-GB","potentialAction":[{"@type":"ReadAction","target":["https:\/\/culturalleft.org\/cl\/2026\/09\/11\/our-eyes-looking-for-god-review-exploring-the-black-british-experience-in-rap-reggae-and-arias-culture-the-guardian\/"]}]},{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/culturalleft.org\/cl\/2026\/09\/11\/our-eyes-looking-for-god-review-exploring-the-black-british-experience-in-rap-reggae-and-arias-culture-the-guardian\/#primaryimage","url":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2026\/09\/6664-BSlNYT.jpg","contentUrl":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2026\/09\/6664-BSlNYT.jpg","width":140,"height":112},{"@type":"BreadcrumbList","@id":"https:\/\/culturalleft.org\/cl\/2026\/09\/11\/our-eyes-looking-for-god-review-exploring-the-black-british-experience-in-rap-reggae-and-arias-culture-the-guardian\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/culturalleft.org\/cl\/"},{"@type":"ListItem","position":2,"name":"Our Eyes Looking for God review \u2013 exploring the Black British experience in rap, reggae and arias Culture | The Guardian"}]},{"@type":"WebSite","@id":"https:\/\/culturalleft.org\/cl\/#website","url":"https:\/\/culturalleft.org\/cl\/","name":"Cultural Left","description":"Culturalising Democracy - Democratising Culture","publisher":{"@id":"https:\/\/culturalleft.org\/cl\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/culturalleft.org\/cl\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-GB"},{"@type":"Organization","@id":"https:\/\/culturalleft.org\/cl\/#organization","name":"Cultural Left","url":"https:\/\/culturalleft.org\/cl\/","logo":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/culturalleft.org\/cl\/#\/schema\/logo\/image\/","url":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2023\/11\/cropped-CYLTURALLEFTLOGOGOOD2023.png","contentUrl":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2023\/11\/cropped-CYLTURALLEFTLOGOGOOD2023.png","width":484,"height":190,"caption":"Cultural Left"},"image":{"@id":"https:\/\/culturalleft.org\/cl\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/culturalleft","https:\/\/x.com\/culturalleft","https:\/\/www.tiktok.com\/culturalleft","https:\/\/www.instagram.com\/culturalleft"]},{"@type":"Person","@id":"https:\/\/culturalleft.org\/cl\/#\/schema\/person\/94cf8075fda504f02a6c2fba01de1a33","name":"Administrator","image":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/secure.gravatar.com\/avatar\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g","caption":"Administrator"},"sameAs":["https:\/\/culturalleft.org\/cl"],"url":"https:\/\/culturalleft.org\/cl\/author\/administrator\/"}]}},"_links":{"self":[{"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/posts\/15397","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/comments?post=15397"}],"version-history":[{"count":0,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/posts\/15397\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/media\/15398"}],"wp:attachment":[{"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/media?parent=15397"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/categories?post=15397"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/tags?post=15397"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}