{"id":15401,"date":"2026-09-11T12:34:27","date_gmt":"2026-09-11T12:34:27","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/09\/11\/don-giovanni-review-reality-recedes-in-visually-dizzying-mozart-tour-de-force-culture-the-guardian\/"},"modified":"2026-09-11T12:34:27","modified_gmt":"2026-09-11T12:34:27","slug":"don-giovanni-review-reality-recedes-in-visually-dizzying-mozart-tour-de-force-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/09\/11\/don-giovanni-review-reality-recedes-in-visually-dizzying-mozart-tour-de-force-culture-the-guardian\/","title":{"rendered":"Don Giovanni review \u2013 reality recedes in visually dizzying Mozart tour de force Culture | The Guardian"},"content":{"rendered":"<p><strong>Royal Opera House, London<br \/><\/strong>This revival of Kaspar Holten\u2019s 2014 staging puts the focus on the Don\u2019s psychology. Aigul Akhmetshina\u2019s Elvira is a standout performance in a strong cast<\/p>\n<p>Post #MeToo and #TimesUp, Mozart and Da Ponte\u2019s tale of a predatory sex addict feels more pertinent than ever. <a href=\"https:\/\/www.theguardian.com\/music\/2014\/feb\/02\/don-giovanni-royal-opera-house-review\">Kaspar Holten\u2019s 2014 staging<\/a>, revived here with care and clarity by Greg Eldridge, may not be played in modern dress \u2013 Anja Vang Kragh\u2019s semi-stylised costumes and Es Devlin\u2019s Escher-inspired revolving set locate the action somewhere between 1850 and 1900 \u2013 but the contemporary resonances come over loud and clear. If only it wasn\u2019t so frustratingly inconsistent.<\/p>\n<p>In Holten\u2019s hands the overture becomes a visual as well as a musical tour de force. Luke Halls\u2019 video design starts small, scrawling a single woman\u2019s name on the grey stone facade. Soon, however, the trickle swells to a torrent as a catalogue of sexual conquests appear before our eyes. Projections are a constant throughout with scribbles, ink blots and splashes of blood spattering scenery and singers alike. In the famous Champagne Aria, images of buildings, rooms and staircases rotate at dizzying speed with the Don standing in the eye of the storm anticipating his latest binge. Remarkably, they rarely distract from the action, a testament to Bruno Poet\u2019s dextrous lighting design.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/music\/2026\/sep\/11\/don-giovanni-review-reality-recedes-in-visually-dizzying-mozart-tour-de-force\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/music\/2026\/sep\/11\/don-giovanni-review-reality-recedes-in-visually-dizzying-mozart-tour-de-force\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/ccb888293c65310266c8d18e41b6686b236481f4\/138_57_2979_2383\/master\/2979.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=62b807afb5fc67e3832da9ed44acbab0\" title=\"Don Giovanni review \u2013 reality recedes in visually dizzying Mozart tour de force\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>Royal Opera House, LondonThis revival of Kaspar Holten\u2019s 2014 staging puts the focus on the Don\u2019s psychology. Aigul Akhmetshina\u2019s Elvira is a standout performance in a strong cast Post #MeToo and #TimesUp, Mozart and Da Ponte\u2019s tale of a predatory sex addict feels more pertinent than ever. Kaspar Holten\u2019s 2014 staging, revived here with care&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":15402,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-15401","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Don Giovanni review \u2013 reality recedes in visually dizzying Mozart tour de force Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/09\/11\/don-giovanni-review-reality-recedes-in-visually-dizzying-mozart-tour-de-force-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Don Giovanni review \u2013 reality recedes in visually dizzying Mozart tour de force Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"Royal Opera House, LondonThis revival of Kaspar Holten\u2019s 2014 staging puts the focus on the Don\u2019s psychology. Aigul Akhmetshina\u2019s Elvira is a standout performance in a strong cast Post #MeToo and #TimesUp, Mozart and Da Ponte\u2019s tale of a predatory sex addict feels more pertinent than ever. Kaspar Holten\u2019s 2014 staging, revived here with care&#046;&#046;&#046;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/culturalleft.org\/cl\/2026\/09\/11\/don-giovanni-review-reality-recedes-in-visually-dizzying-mozart-tour-de-force-culture-the-guardian\/\" \/>\n<meta property=\"og:site_name\" content=\"Cultural Left\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/culturalleft\" \/>\n<meta property=\"article:published_time\" content=\"2026-09-11T12:34:27+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i.guim.co.uk\/img\/media\/ccb888293c65310266c8d18e41b6686b236481f4\/138_57_2979_2383\/master\/2979.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=62b807afb5fc67e3832da9ed44acbab0\" \/>\n<meta name=\"author\" content=\"Administrator\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:site\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Administrator\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/11\\\/don-giovanni-review-reality-recedes-in-visually-dizzying-mozart-tour-de-force-culture-the-guardian\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/11\\\/don-giovanni-review-reality-recedes-in-visually-dizzying-mozart-tour-de-force-culture-the-guardian\\\/\"},\"author\":{\"name\":\"Administrator\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/person\\\/94cf8075fda504f02a6c2fba01de1a33\"},\"headline\":\"Don Giovanni review \u2013 reality recedes in visually dizzying Mozart tour de force Culture | The Guardian\",\"datePublished\":\"2026-09-11T12:34:27+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/11\\\/don-giovanni-review-reality-recedes-in-visually-dizzying-mozart-tour-de-force-culture-the-guardian\\\/\"},\"wordCount\":241,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/11\\\/don-giovanni-review-reality-recedes-in-visually-dizzying-mozart-tour-de-force-culture-the-guardian\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/2979-F03UZs.jpg\",\"articleSection\":[\"Uncategorized\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/11\\\/don-giovanni-review-reality-recedes-in-visually-dizzying-mozart-tour-de-force-culture-the-guardian\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/11\\\/don-giovanni-review-reality-recedes-in-visually-dizzying-mozart-tour-de-force-culture-the-guardian\\\/\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/11\\\/don-giovanni-review-reality-recedes-in-visually-dizzying-mozart-tour-de-force-culture-the-guardian\\\/\",\"name\":\"Don Giovanni review \u2013 reality recedes in visually dizzying Mozart tour de force Culture | The Guardian - 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