{"id":15489,"date":"2026-09-15T07:31:21","date_gmt":"2026-09-15T07:31:21","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/09\/15\/elsinore-review-andrew-scott-is-astonishing-as-ian-charleson-in-devastating-aids-drama-culture-the-guardian\/"},"modified":"2026-09-15T07:31:21","modified_gmt":"2026-09-15T07:31:21","slug":"elsinore-review-andrew-scott-is-astonishing-as-ian-charleson-in-devastating-aids-drama-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/09\/15\/elsinore-review-andrew-scott-is-astonishing-as-ian-charleson-in-devastating-aids-drama-culture-the-guardian\/","title":{"rendered":"Elsinore review \u2013 Andrew Scott is astonishing as Ian Charleson in devastating Aids drama Culture | The Guardian"},"content":{"rendered":"<p><strong>Toronto film festival:<\/strong> the actor gives his greatest screen performance to date as the Chariots of Fire star who spends his final months playing Hamlet on stage<\/p>\n<p>It was an endlessly parodied cliche that any queer film released during a certain period would be about one thing and one thing only: Aids. In 1993, Philadelphia showed a wider audience a mostly clean and palatable version of the crisis, and won Oscars for doing so, and for a time, when gay men weren\u2019t acting as sassy friends to women in need, they were coughing up blood in lonely hospital beds.<\/p>\n<p>The inevitable and understandable pushback, allowing for a wider breadth of stories, brought us more \u201cqueer joy\u201d and \u201cchosen family\u201d but it also allowed some to forget just what a time of unimaginable annihilation it was. It also reframed the period as an onslaught of Aids movies when the majority of them <a href=\"https:\/\/www.theguardian.com\/film\/2018\/jun\/21\/there-was-a-lot-of-panic-behind-the-first-movies-to-tackle-the-aids-crisis\">existed on the outskirts still<\/a>, films such as Buddies, Longtime Companion and Jeffrey seen by mostly queer arthouse audiences. If anything, I\u2019d argue that something so relatively recent and horrifying has been rather under-explored on screen especially in comparison with other, even fresher tragedies (Aids has killed more than 44 million people worldwide compared with just more than 7 million for Covid).<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/film\/2026\/sep\/14\/elsinore-movie-review-andrew-scott\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/film\/2026\/sep\/14\/elsinore-movie-review-andrew-scott\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/0f864bb228335b662713414c4c8d09f7311c76cb\/430_0_3750_3000\/master\/3750.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=8634801149e8d1d82234f83de59b5a48\" title=\"Elsinore review \u2013 Andrew Scott is astonishing as Ian Charleson in devastating Aids drama\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>Toronto film festival: the actor gives his greatest screen performance to date as the Chariots of Fire star who spends his final months playing Hamlet on stage It was an endlessly parodied cliche that any queer film released during a certain period would be about one thing and one thing only: Aids. In 1993, Philadelphia&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":15490,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-15489","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Elsinore review \u2013 Andrew Scott is astonishing as Ian Charleson in devastating Aids drama Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/09\/15\/elsinore-review-andrew-scott-is-astonishing-as-ian-charleson-in-devastating-aids-drama-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Elsinore review \u2013 Andrew Scott is astonishing as Ian Charleson in devastating Aids drama Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"Toronto film festival: the actor gives his greatest screen performance to date as the Chariots of Fire star who spends his final months playing Hamlet on stage It was an endlessly parodied cliche that any queer film released during a certain period would be about one thing and one thing only: Aids. 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