{"id":15510,"date":"2026-09-15T16:34:11","date_gmt":"2026-09-15T16:34:11","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/09\/15\/she-went-to-her-studio-every-day-and-no-one-was-allowed-near-it-the-glorious-nature-paintings-of-yasmin-david-culture-the-guardian\/"},"modified":"2026-09-15T16:34:11","modified_gmt":"2026-09-15T16:34:11","slug":"she-went-to-her-studio-every-day-and-no-one-was-allowed-near-it-the-glorious-nature-paintings-of-yasmin-david-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/09\/15\/she-went-to-her-studio-every-day-and-no-one-was-allowed-near-it-the-glorious-nature-paintings-of-yasmin-david-culture-the-guardian\/","title":{"rendered":"\u2018She went to her studio every day and no one was allowed near it\u2019: the glorious nature paintings of Yasmin David Culture | The Guardian"},"content":{"rendered":"

Her father was Laurie Lee, her mother the bohemian Lorna Garman, and the full extent of her talent wasn\u2019t apparent until after her death. A revelatory exhibition places David at the heart of British landscape painting<\/p>\n

When Clio David was growing up, her mother\u2019s studio was off-limits. The wooden outbuilding where her mother, Yasmin, went to paint was in the apple orchards that surrounded her childhood home in south Devon. It had once been a dormitory for the students of Dartington Hall, a progressive school where Clio\u2019s father taught during the 1960s.<\/p>\n

\u201cIt was somewhere she went every day to paint and work, and no one was allowed near it,\u201d says Clio. \u201cThe walls of our house were covered in her paintings, but the studio was a private place.\u201d<\/p>\n

Continue reading…<\/a>\u00a0<\/p>\n

Read More<\/a><\/p>","protected":false},"excerpt":{"rendered":"

Her father was Laurie Lee, her mother the bohemian Lorna Garman, and the full extent of her talent wasn\u2019t apparent until after her death. A revelatory exhibition places David at the heart of British landscape painting When Clio David was growing up, her mother\u2019s studio was off-limits. The wooden outbuilding where her mother, Yasmin, went...<\/p>\n","protected":false},"author":1,"featured_media":15511,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-15510","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"\n\u2018She went to her studio every day and no one was allowed near it\u2019: the glorious nature paintings of Yasmin David Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/09\/15\/she-went-to-her-studio-every-day-and-no-one-was-allowed-near-it-the-glorious-nature-paintings-of-yasmin-david-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018She went to her studio every day and no one was allowed near it\u2019: the glorious nature paintings of Yasmin David Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"Her father was Laurie Lee, her mother the bohemian Lorna Garman, and the full extent of her talent wasn\u2019t apparent until after her death. 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