{"id":15555,"date":"2026-09-17T11:34:33","date_gmt":"2026-09-17T11:34:33","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/09\/17\/beabadoobee-pylon-review-voice-of-a-generations-surprisingly-relatable-rampage-through-rock-star-rage-culture-the-guardian\/"},"modified":"2026-09-17T11:34:33","modified_gmt":"2026-09-17T11:34:33","slug":"beabadoobee-pylon-review-voice-of-a-generations-surprisingly-relatable-rampage-through-rock-star-rage-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/09\/17\/beabadoobee-pylon-review-voice-of-a-generations-surprisingly-relatable-rampage-through-rock-star-rage-culture-the-guardian\/","title":{"rendered":"Beabadoobee: Pylon review \u2013 voice of a generation\u2019s surprisingly relatable rampage through rock star rage Culture | The Guardian"},"content":{"rendered":"

(Dirty Hit)<\/strong>
The Filipino-British songwriter\u2019s fourth album sprinkles 90s alt fuzz with disarmingly sweet melodies and an impressive host of guests including Paramore\u2019s Hayley Williams and Turnstile\u2019s Brendan Yates<\/p>\n

Last month, the Guardian published a feature about the demise of the monoculture<\/a>. It suggested that streaming services, personalised algorithms and the declining influence of radio and television meant we now live in a world where stardom isn\u2019t as universal as it once was. It used Sam Fender and Olivia Dean\u2019s single Rein Me In as an example: here was a song that spent a record-breaking 23 weeks at No 1 yet hadn\u2019t attained anything like the ubiquity you would once have expected: to judge by social media, plenty of people seemed to have never knowingly heard it.<\/p>\n

If you were looking to advance this theory, you might alight on the career of Beatrice Laus, the 26-year-old British-Filipino <\/strong>singer-songwriter better known as Beabadoobee. To a certain cohort, primarily female and in their late teens and early 20s, she is not just a huge star, but a genuinely iconic figure. The latter is an over-used adjective in 2026, but if social media abounds with tutorials advising female fans how to copy your style and imitate your makeup \u2013 if you can be personally held partly responsible for the 2021 outbreak of adolescent girls drawing fake freckles on their faces in imitation of your own \u2013 then it probably fits, whether it discomfits Laus or not. The lyrics of Satellite, the closing track on her fourth album Pylon, suggests it does: \u201cI give the generation a new infatuation,\u201d she sings. \u201cIf only I knew how to cope with the times.\u201d<\/p>\n

Continue reading…<\/a>\u00a0<\/p>\n

Read More<\/a><\/p>","protected":false},"excerpt":{"rendered":"

(Dirty Hit)The Filipino-British songwriter\u2019s fourth album sprinkles 90s alt fuzz with disarmingly sweet melodies and an impressive host of guests including Paramore\u2019s Hayley Williams and Turnstile\u2019s Brendan Yates Last month, the Guardian published a feature about the demise of the monoculture. It suggested that streaming services, personalised algorithms and the declining influence of radio and...<\/p>\n","protected":false},"author":1,"featured_media":15556,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-15555","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"\nBeabadoobee: Pylon review \u2013 voice of a generation\u2019s surprisingly relatable rampage through rock star rage Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/09\/17\/beabadoobee-pylon-review-voice-of-a-generations-surprisingly-relatable-rampage-through-rock-star-rage-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Beabadoobee: Pylon review \u2013 voice of a generation\u2019s surprisingly relatable rampage through rock star rage Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"(Dirty Hit)The Filipino-British songwriter\u2019s fourth album sprinkles 90s alt fuzz with disarmingly sweet melodies and an impressive host of guests including Paramore\u2019s Hayley Williams and Turnstile\u2019s Brendan Yates Last month, the Guardian published a feature about the demise of the monoculture. 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