{"id":15713,"date":"2026-09-23T13:34:36","date_gmt":"2026-09-23T13:34:36","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/09\/23\/we-live-in-a-world-of-extreme-consumption-and-waste-magali-reus-the-artist-reimagining-rubbish-culture-the-guardian\/"},"modified":"2026-09-23T13:34:36","modified_gmt":"2026-09-23T13:34:36","slug":"we-live-in-a-world-of-extreme-consumption-and-waste-magali-reus-the-artist-reimagining-rubbish-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/09\/23\/we-live-in-a-world-of-extreme-consumption-and-waste-magali-reus-the-artist-reimagining-rubbish-culture-the-guardian\/","title":{"rendered":"\u2018We live in a world of extreme consumption and waste\u2019: Magali Reus, the artist reimagining rubbish Culture | The Guardian"},"content":{"rendered":"<p>Making vast versions of sardine tins and fishing lures, the Dutch sculptor explains how she imbues disposable objects with autonomy and meaning<\/p>\n<p>Midway through my conversation with Magali Reus, we are interrupted by a courier. They\u2019ve arrived at the artist\u2019s studio to deliver an important package \u2013 one of the final components of a sculpture being finalised for Reus\u2019s show Swimming By Night at the Perimeter in London.<\/p>\n<p>The studio is filled with such sculptures, all in various stages of completion. Reus likes to take everyday, often disposable, items \u2013 pizza boxes and sardine tins among them \u2013 and recreate them on a larger-than-life scale. One of them \u2013 vast looming fish hook lures made to look like uncanny cupcake cases or severed skeletal limbs \u2013 looms nearby, resting against a studio wall.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/artanddesign\/2026\/sep\/23\/magali-reus-artist-rubbish-sculpture\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/artanddesign\/2026\/sep\/23\/magali-reus-artist-rubbish-sculpture\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/7a5aa94328dc6b90eec6f6d6b6914377a922606c\/0_1719_4823_3856\/master\/4823.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=42fba1788d77c505ac93e5e6ce9c43d8\" title=\"\u2018We live in a world of extreme consumption and waste\u2019: Magali Reus, the artist reimagining rubbish\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>Making vast versions of sardine tins and fishing lures, the Dutch sculptor explains how she imbues disposable objects with autonomy and meaning Midway through my conversation with Magali Reus, we are interrupted by a courier. They\u2019ve arrived at the artist\u2019s studio to deliver an important package \u2013 one of the final components of a sculpture&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":15714,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-15713","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u2018We live in a world of extreme consumption and waste\u2019: Magali Reus, the artist reimagining rubbish Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/09\/23\/we-live-in-a-world-of-extreme-consumption-and-waste-magali-reus-the-artist-reimagining-rubbish-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018We live in a world of extreme consumption and waste\u2019: Magali Reus, the artist reimagining rubbish Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"Making vast versions of sardine tins and fishing lures, the Dutch sculptor explains how she imbues disposable objects with autonomy and meaning Midway through my conversation with Magali Reus, we are interrupted by a courier. 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