{"id":15771,"date":"2026-09-24T23:32:17","date_gmt":"2026-09-24T23:32:17","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/09\/24\/rachel-kneebone-review-who-knew-porcelain-could-be-so-edgy-nerve-wracking-and-marvellous-culture-the-guardian\/"},"modified":"2026-09-24T23:32:17","modified_gmt":"2026-09-24T23:32:17","slug":"rachel-kneebone-review-who-knew-porcelain-could-be-so-edgy-nerve-wracking-and-marvellous-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/09\/24\/rachel-kneebone-review-who-knew-porcelain-could-be-so-edgy-nerve-wracking-and-marvellous-culture-the-guardian\/","title":{"rendered":"Rachel Kneebone review \u2013 who knew porcelain could be so edgy, nerve-wracking and marvellous? Culture | The Guardian"},"content":{"rendered":"<p><strong>Wallace Collection, London<\/strong><br \/>The British sculptor\u2019s delicate, intimate and ready-to-pop creations feel right at home among Hertford House\u2019s rococo masterpieces<\/p>\n<p>Maybe it was that wine glass I broke this morning while unloading the dishwasher, but seeing a Rachel Kneebone porcelain sculpture suspended makes me nervous. Can those skinny wires really hold the weight? Should there perhaps be a soft landing just in case? Emerging from a tangled clump of ribbons and roses are a couple of bone-white bubbles, ready to pop. This is art that quite literally hangs in the balance; a sense of peril is what makes it so marvellous.<\/p>\n<p>Born in 1973, the British sculptor is the latest contemporary artist to be invited to show her work <a href=\"https:\/\/www.wallacecollection.org\/whats-on\/exhibitions-displays\/metamorphoses-porcelain-sculpture-by-rachel-kneebone\/\">at the Wallace Collection<\/a>. Following in the footsteps of Damien Hirst, Flora Yukhnovich and Grayson Perry, Kneebone has positioned nine milky sculptures made between 2017 and 2026 throughout Hertford House. So this display, titled Metamorphoses, is an intervention \u2013 that\u2019s the art world lingo. Except it feels different, like the contrast has been turned down. Sure, there are collisions as well as similarities, but seeing sculpted heaps of human and floral forms alongside the prized masterpieces for which the London gallery is best known feels \u2026 right.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/artanddesign\/2026\/sep\/24\/rachel-kneebone-review-wallace-collection-london\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/artanddesign\/2026\/sep\/24\/rachel-kneebone-review-wallace-collection-london\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/89b40262a1b27327c0b92feb2166f4e473d28d6b\/803_688_5337_4273\/master\/5337.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=ab3aca0b3de0470aa49a5962aeaf5b1a\" title=\"Rachel Kneebone review \u2013 who knew porcelain could be so edgy, nerve-wracking and marvellous?\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>Wallace Collection, LondonThe British sculptor\u2019s delicate, intimate and ready-to-pop creations feel right at home among Hertford House\u2019s rococo masterpieces Maybe it was that wine glass I broke this morning while unloading the dishwasher, but seeing a Rachel Kneebone porcelain sculpture suspended makes me nervous. Can those skinny wires really hold the weight? Should there perhaps&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":15772,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-15771","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Rachel Kneebone review \u2013 who knew porcelain could be so edgy, nerve-wracking and marvellous? Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/09\/24\/rachel-kneebone-review-who-knew-porcelain-could-be-so-edgy-nerve-wracking-and-marvellous-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Rachel Kneebone review \u2013 who knew porcelain could be so edgy, nerve-wracking and marvellous? Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"Wallace Collection, LondonThe British sculptor\u2019s delicate, intimate and ready-to-pop creations feel right at home among Hertford House\u2019s rococo masterpieces Maybe it was that wine glass I broke this morning while unloading the dishwasher, but seeing a Rachel Kneebone porcelain sculpture suspended makes me nervous. Can those skinny wires really hold the weight? Should there perhaps&#046;&#046;&#046;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/culturalleft.org\/cl\/2026\/09\/24\/rachel-kneebone-review-who-knew-porcelain-could-be-so-edgy-nerve-wracking-and-marvellous-culture-the-guardian\/\" \/>\n<meta property=\"og:site_name\" content=\"Cultural Left\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/culturalleft\" \/>\n<meta property=\"article:published_time\" content=\"2026-09-24T23:32:17+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i.guim.co.uk\/img\/media\/89b40262a1b27327c0b92feb2166f4e473d28d6b\/803_688_5337_4273\/master\/5337.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=ab3aca0b3de0470aa49a5962aeaf5b1a\" \/>\n<meta name=\"author\" content=\"Administrator\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:site\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Administrator\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/24\\\/rachel-kneebone-review-who-knew-porcelain-could-be-so-edgy-nerve-wracking-and-marvellous-culture-the-guardian\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/24\\\/rachel-kneebone-review-who-knew-porcelain-could-be-so-edgy-nerve-wracking-and-marvellous-culture-the-guardian\\\/\"},\"author\":{\"name\":\"Administrator\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/person\\\/94cf8075fda504f02a6c2fba01de1a33\"},\"headline\":\"Rachel Kneebone review \u2013 who knew porcelain could be so edgy, nerve-wracking and marvellous? Culture | The Guardian\",\"datePublished\":\"2026-09-24T23:32:17+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/24\\\/rachel-kneebone-review-who-knew-porcelain-could-be-so-edgy-nerve-wracking-and-marvellous-culture-the-guardian\\\/\"},\"wordCount\":224,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/24\\\/rachel-kneebone-review-who-knew-porcelain-could-be-so-edgy-nerve-wracking-and-marvellous-culture-the-guardian\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/5337-AFFAL8.jpg\",\"articleSection\":[\"Uncategorized\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/24\\\/rachel-kneebone-review-who-knew-porcelain-could-be-so-edgy-nerve-wracking-and-marvellous-culture-the-guardian\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/24\\\/rachel-kneebone-review-who-knew-porcelain-could-be-so-edgy-nerve-wracking-and-marvellous-culture-the-guardian\\\/\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/24\\\/rachel-kneebone-review-who-knew-porcelain-could-be-so-edgy-nerve-wracking-and-marvellous-culture-the-guardian\\\/\",\"name\":\"Rachel Kneebone review \u2013 who knew porcelain could be so edgy, nerve-wracking and marvellous? Culture | The Guardian - Cultural Left\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/24\\\/rachel-kneebone-review-who-knew-porcelain-could-be-so-edgy-nerve-wracking-and-marvellous-culture-the-guardian\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/24\\\/rachel-kneebone-review-who-knew-porcelain-could-be-so-edgy-nerve-wracking-and-marvellous-culture-the-guardian\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/5337-AFFAL8.jpg\",\"datePublished\":\"2026-09-24T23:32:17+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/24\\\/rachel-kneebone-review-who-knew-porcelain-could-be-so-edgy-nerve-wracking-and-marvellous-culture-the-guardian\\\/#breadcrumb\"},\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/24\\\/rachel-kneebone-review-who-knew-porcelain-could-be-so-edgy-nerve-wracking-and-marvellous-culture-the-guardian\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/24\\\/rachel-kneebone-review-who-knew-porcelain-could-be-so-edgy-nerve-wracking-and-marvellous-culture-the-guardian\\\/#primaryimage\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/5337-AFFAL8.jpg\",\"contentUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/5337-AFFAL8.jpg\",\"width\":140,\"height\":112},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/09\\\/24\\\/rachel-kneebone-review-who-knew-porcelain-could-be-so-edgy-nerve-wracking-and-marvellous-culture-the-guardian\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Rachel Kneebone review \u2013 who knew porcelain could be so edgy, nerve-wracking and marvellous? Culture | The Guardian\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#website\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/\",\"name\":\"Cultural Left\",\"description\":\"Culturalising Democracy - Democratising Culture\",\"publisher\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-GB\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#organization\",\"name\":\"Cultural Left\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2023\\\/11\\\/cropped-CYLTURALLEFTLOGOGOOD2023.png\",\"contentUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2023\\\/11\\\/cropped-CYLTURALLEFTLOGOGOOD2023.png\",\"width\":484,\"height\":190,\"caption\":\"Cultural Left\"},\"image\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/culturalleft\",\"https:\\\/\\\/x.com\\\/culturalleft\",\"https:\\\/\\\/www.tiktok.com\\\/culturalleft\",\"https:\\\/\\\/www.instagram.com\\\/culturalleft\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/person\\\/94cf8075fda504f02a6c2fba01de1a33\",\"name\":\"Administrator\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g\",\"caption\":\"Administrator\"},\"sameAs\":[\"https:\\\/\\\/culturalleft.org\\\/cl\"],\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/author\\\/administrator\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Rachel Kneebone review \u2013 who knew porcelain could be so edgy, nerve-wracking and marvellous? Culture | The Guardian - Cultural Left","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/culturalleft.org\/cl\/2026\/09\/24\/rachel-kneebone-review-who-knew-porcelain-could-be-so-edgy-nerve-wracking-and-marvellous-culture-the-guardian\/","og_locale":"en_GB","og_type":"article","og_title":"Rachel Kneebone review \u2013 who knew porcelain could be so edgy, nerve-wracking and marvellous? Culture | The Guardian - Cultural Left","og_description":"Wallace Collection, LondonThe British sculptor\u2019s delicate, intimate and ready-to-pop creations feel right at home among Hertford House\u2019s rococo masterpieces Maybe it was that wine glass I broke this morning while unloading the dishwasher, but seeing a Rachel Kneebone porcelain sculpture suspended makes me nervous. Can those skinny wires really hold the weight? Should there perhaps&#46;&#46;&#46;","og_url":"https:\/\/culturalleft.org\/cl\/2026\/09\/24\/rachel-kneebone-review-who-knew-porcelain-could-be-so-edgy-nerve-wracking-and-marvellous-culture-the-guardian\/","og_site_name":"Cultural Left","article_publisher":"https:\/\/www.facebook.com\/culturalleft","article_published_time":"2026-09-24T23:32:17+00:00","og_image":[{"url":"https:\/\/i.guim.co.uk\/img\/media\/89b40262a1b27327c0b92feb2166f4e473d28d6b\/803_688_5337_4273\/master\/5337.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=ab3aca0b3de0470aa49a5962aeaf5b1a","type":"","width":"","height":""}],"author":"Administrator","twitter_card":"summary_large_image","twitter_creator":"@culturalleft","twitter_site":"@culturalleft","twitter_misc":{"Written by":"Administrator","Estimated reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/culturalleft.org\/cl\/2026\/09\/24\/rachel-kneebone-review-who-knew-porcelain-could-be-so-edgy-nerve-wracking-and-marvellous-culture-the-guardian\/#article","isPartOf":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/09\/24\/rachel-kneebone-review-who-knew-porcelain-could-be-so-edgy-nerve-wracking-and-marvellous-culture-the-guardian\/"},"author":{"name":"Administrator","@id":"https:\/\/culturalleft.org\/cl\/#\/schema\/person\/94cf8075fda504f02a6c2fba01de1a33"},"headline":"Rachel Kneebone review \u2013 who knew porcelain could be so edgy, nerve-wracking and marvellous? Culture | The Guardian","datePublished":"2026-09-24T23:32:17+00:00","mainEntityOfPage":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/09\/24\/rachel-kneebone-review-who-knew-porcelain-could-be-so-edgy-nerve-wracking-and-marvellous-culture-the-guardian\/"},"wordCount":224,"commentCount":0,"publisher":{"@id":"https:\/\/culturalleft.org\/cl\/#organization"},"image":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/09\/24\/rachel-kneebone-review-who-knew-porcelain-could-be-so-edgy-nerve-wracking-and-marvellous-culture-the-guardian\/#primaryimage"},"thumbnailUrl":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2026\/09\/5337-AFFAL8.jpg","articleSection":["Uncategorized"],"inLanguage":"en-GB","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/culturalleft.org\/cl\/2026\/09\/24\/rachel-kneebone-review-who-knew-porcelain-could-be-so-edgy-nerve-wracking-and-marvellous-culture-the-guardian\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/culturalleft.org\/cl\/2026\/09\/24\/rachel-kneebone-review-who-knew-porcelain-could-be-so-edgy-nerve-wracking-and-marvellous-culture-the-guardian\/","url":"https:\/\/culturalleft.org\/cl\/2026\/09\/24\/rachel-kneebone-review-who-knew-porcelain-could-be-so-edgy-nerve-wracking-and-marvellous-culture-the-guardian\/","name":"Rachel Kneebone review \u2013 who knew porcelain could be so edgy, nerve-wracking and marvellous? Culture | The Guardian - Cultural Left","isPartOf":{"@id":"https:\/\/culturalleft.org\/cl\/#website"},"primaryImageOfPage":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/09\/24\/rachel-kneebone-review-who-knew-porcelain-could-be-so-edgy-nerve-wracking-and-marvellous-culture-the-guardian\/#primaryimage"},"image":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/09\/24\/rachel-kneebone-review-who-knew-porcelain-could-be-so-edgy-nerve-wracking-and-marvellous-culture-the-guardian\/#primaryimage"},"thumbnailUrl":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2026\/09\/5337-AFFAL8.jpg","datePublished":"2026-09-24T23:32:17+00:00","breadcrumb":{"@id":"https:\/\/culturalleft.org\/cl\/2026\/09\/24\/rachel-kneebone-review-who-knew-porcelain-could-be-so-edgy-nerve-wracking-and-marvellous-culture-the-guardian\/#breadcrumb"},"inLanguage":"en-GB","potentialAction":[{"@type":"ReadAction","target":["https:\/\/culturalleft.org\/cl\/2026\/09\/24\/rachel-kneebone-review-who-knew-porcelain-could-be-so-edgy-nerve-wracking-and-marvellous-culture-the-guardian\/"]}]},{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/culturalleft.org\/cl\/2026\/09\/24\/rachel-kneebone-review-who-knew-porcelain-could-be-so-edgy-nerve-wracking-and-marvellous-culture-the-guardian\/#primaryimage","url":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2026\/09\/5337-AFFAL8.jpg","contentUrl":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2026\/09\/5337-AFFAL8.jpg","width":140,"height":112},{"@type":"BreadcrumbList","@id":"https:\/\/culturalleft.org\/cl\/2026\/09\/24\/rachel-kneebone-review-who-knew-porcelain-could-be-so-edgy-nerve-wracking-and-marvellous-culture-the-guardian\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/culturalleft.org\/cl\/"},{"@type":"ListItem","position":2,"name":"Rachel Kneebone review \u2013 who knew porcelain could be so edgy, nerve-wracking and marvellous? Culture | The Guardian"}]},{"@type":"WebSite","@id":"https:\/\/culturalleft.org\/cl\/#website","url":"https:\/\/culturalleft.org\/cl\/","name":"Cultural Left","description":"Culturalising Democracy - Democratising Culture","publisher":{"@id":"https:\/\/culturalleft.org\/cl\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/culturalleft.org\/cl\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-GB"},{"@type":"Organization","@id":"https:\/\/culturalleft.org\/cl\/#organization","name":"Cultural Left","url":"https:\/\/culturalleft.org\/cl\/","logo":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/culturalleft.org\/cl\/#\/schema\/logo\/image\/","url":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2023\/11\/cropped-CYLTURALLEFTLOGOGOOD2023.png","contentUrl":"https:\/\/culturalleft.org\/cl\/wp-content\/uploads\/2023\/11\/cropped-CYLTURALLEFTLOGOGOOD2023.png","width":484,"height":190,"caption":"Cultural Left"},"image":{"@id":"https:\/\/culturalleft.org\/cl\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/culturalleft","https:\/\/x.com\/culturalleft","https:\/\/www.tiktok.com\/culturalleft","https:\/\/www.instagram.com\/culturalleft"]},{"@type":"Person","@id":"https:\/\/culturalleft.org\/cl\/#\/schema\/person\/94cf8075fda504f02a6c2fba01de1a33","name":"Administrator","image":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/secure.gravatar.com\/avatar\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/0c0d5f0a3d7f6884da2d98fe3f64332dca5d4ff5b0898d8656adccc76a4d90a5?s=96&d=mm&r=g","caption":"Administrator"},"sameAs":["https:\/\/culturalleft.org\/cl"],"url":"https:\/\/culturalleft.org\/cl\/author\/administrator\/"}]}},"_links":{"self":[{"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/posts\/15771","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/comments?post=15771"}],"version-history":[{"count":0,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/posts\/15771\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/media\/15772"}],"wp:attachment":[{"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/media?parent=15771"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/categories?post=15771"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/culturalleft.org\/cl\/wp-json\/wp\/v2\/tags?post=15771"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}