{"id":15840,"date":"2026-09-28T12:31:37","date_gmt":"2026-09-28T12:31:37","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/09\/28\/painting-the-french-riviera-review-about-as-erotic-and-glamorous-as-a-wet-day-in-margate-culture-the-guardian\/"},"modified":"2026-09-28T12:31:37","modified_gmt":"2026-09-28T12:31:37","slug":"painting-the-french-riviera-review-about-as-erotic-and-glamorous-as-a-wet-day-in-margate-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/09\/28\/painting-the-french-riviera-review-about-as-erotic-and-glamorous-as-a-wet-day-in-margate-culture-the-guardian\/","title":{"rendered":"Painting the French Riviera review \u2013 about as erotic and glamorous as a wet day in Margate Culture | The Guardian"},"content":{"rendered":"<p><strong>Royal Academy of Arts, London<br \/><\/strong>They\u2019ve marginalised Matisse and given Picasso the cold shoulder \u2013 and what\u2019s left seems more informed by pedantic geography than sensual art <\/p>\n<p>The French Riviera is not a place. It is a dream of paradise, one of those Arcadias we long for \u2013 timeless, perfect worlds saturated with light. In the modern age, artists found theirs in the south of France. Yet this exhibition misses the point entirely. Instead of the modern myth of the Med, what we get here is a pedantic obsession with the geography of France\u2019s southern coast. Artists get rewarded for which bit of it they painted. This leads to some serious distortions.<\/p>\n<p>The neo-impressionists \u2013 the dot-fixated movement led by Paul Signac \u2013 and their paintings of the C\u00f4te d\u2019Azur get a grand, spacious setting. That\u2019s OK; though when you\u2019ve seen one pixelated shoreline, you\u2019ve seen them all. What\u2019s baffling is that Henri Matisse and the Fauves have been squeezed into a smaller, less weighty adjoining display. The revolution that Matisse and his friends enacted at the seaside town of Collioure, replacing nature with the colours in their heads, was far more radical, exciting and visually brilliant than Signac and co. I couldn\u2019t fathom it.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/artanddesign\/2026\/sep\/28\/painting-the-french-riviera-review-royal-academy-london\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/artanddesign\/2026\/sep\/28\/painting-the-french-riviera-review-royal-academy-london\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/67573322e4f6bf458d77abfe5ad6f810132762ed\/0_44_4474_3580\/master\/4474.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=b6c0e68c7d6ebb54270b858531d8a543\" title=\"Painting the French Riviera review \u2013 about as erotic and glamorous as a wet day in Margate\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>Royal Academy of Arts, LondonThey\u2019ve marginalised Matisse and given Picasso the cold shoulder \u2013 and what\u2019s left seems more informed by pedantic geography than sensual art The French Riviera is not a place. It is a dream of paradise, one of those Arcadias we long for \u2013 timeless, perfect worlds saturated with light. In the&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":15841,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-15840","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Painting the French Riviera review \u2013 about as erotic and glamorous as a wet day in Margate Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/09\/28\/painting-the-french-riviera-review-about-as-erotic-and-glamorous-as-a-wet-day-in-margate-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Painting the French Riviera review \u2013 about as erotic and glamorous as a wet day in Margate Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"Royal Academy of Arts, LondonThey\u2019ve marginalised Matisse and given Picasso the cold shoulder \u2013 and what\u2019s left seems more informed by pedantic geography than sensual art The French Riviera is not a place. It is a dream of paradise, one of those Arcadias we long for \u2013 timeless, perfect worlds saturated with light. 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