{"id":15860,"date":"2026-09-29T11:34:11","date_gmt":"2026-09-29T11:34:11","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/09\/29\/a-genre-defying-monument-how-sign-o-the-times-captured-prince-at-his-creative-peak-culture-the-guardian\/"},"modified":"2026-09-29T11:34:11","modified_gmt":"2026-09-29T11:34:11","slug":"a-genre-defying-monument-how-sign-o-the-times-captured-prince-at-his-creative-peak-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/09\/29\/a-genre-defying-monument-how-sign-o-the-times-captured-prince-at-his-creative-peak-culture-the-guardian\/","title":{"rendered":"\u2018A genre-defying monument\u2019: how Sign o\u2019 the Times captured Prince at his creative peak Culture | The Guardian"},"content":{"rendered":"

As a new book on the Paisley Park polymath is released, author John McKie explains why Prince\u2019s 1987 album is the ultimate showcase of his genius<\/p>\n

By the early 1980s, Prince<\/a> had cemented his place as a pop heavyweight with the phenomenal success of his 1999 album, as well as becoming a movie star thanks to Purple Rain. Even when his second film, the old Hollywood throwback Under the Cherry Moon, bombed worldwide in 1986, he notched another massive hit off its soundtrack with Kiss. It didn\u2019t matter if audiences didn\u2019t understand; Prince kept moving forward.<\/p>\n

That restless spirit propelled Prince\u2019s final masterpiece, 1987\u2019s Sign o\u2019 the Times, as he dabbled with different directions. Anything seemed on the table: maybe he would drop another album with his backing band, The Revolution, or he would explore his feminine alter-ego Camille with a self-titled album. He even, at one point, wanted to put out a triple album, a reasonable response to the vast collection of music that Prince was creating. \u201cSometimes when people are in a place of transition, they\u2019re distracted,\u201d said John McKie, whose new book Prince: A Sign o\u2019 the Times<\/a> follows the pop legend\u2019s career through the lens of this classic. \u201cFor Prince, he focused on his music.\u201d<\/p>\n

Continue reading…<\/a>\u00a0<\/p>\n

Read More<\/a><\/p>","protected":false},"excerpt":{"rendered":"

As a new book on the Paisley Park polymath is released, author John McKie explains why Prince\u2019s 1987 album is the ultimate showcase of his genius By the early 1980s, Prince had cemented his place as a pop heavyweight with the phenomenal success of his 1999 album, as well as becoming a movie star thanks...<\/p>\n","protected":false},"author":1,"featured_media":15861,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-15860","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"\n\u2018A genre-defying monument\u2019: how Sign o\u2019 the Times captured Prince at his creative peak Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/09\/29\/a-genre-defying-monument-how-sign-o-the-times-captured-prince-at-his-creative-peak-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018A genre-defying monument\u2019: how Sign o\u2019 the Times captured Prince at his creative peak Culture | The Guardian - 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