{"id":16012,"date":"2026-10-05T04:33:17","date_gmt":"2026-10-05T04:33:17","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/10\/05\/if-its-too-slick-it-looks-like-a-fashion-mag-peter-zumthor-on-his-110m-rammed-concrete-gallery-culture-the-guardian\/"},"modified":"2026-10-05T04:33:17","modified_gmt":"2026-10-05T04:33:17","slug":"if-its-too-slick-it-looks-like-a-fashion-mag-peter-zumthor-on-his-110m-rammed-concrete-gallery-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/10\/05\/if-its-too-slick-it-looks-like-a-fashion-mag-peter-zumthor-on-his-110m-rammed-concrete-gallery-culture-the-guardian\/","title":{"rendered":"\u2018If it\u2019s too slick, it looks like a fashion mag\u2019: Peter Zumthor on his \u00a3110m rammed concrete gallery Culture | The Guardian"},"content":{"rendered":"

It is one of the world\u2019s finest collections, full of Monets, Miros and Picassos. But is the great Swiss architect\u2019s extension for the Beyeler Foundation a worthy addition? Or is it a bit luxury boutique?<\/p>\n\n

In the early 1960s, when Peter Zumthor was a teenage apprentice in his father\u2019s cabinet-making workshop, he designed his first cupboard. He later recalled the satisfaction of fitting the door so perfectly that it closed \u201cwith a special sucking sound\u201d, saying his father instilled in him \u201cthe Basel pride in the well-built object\u201d<\/a>.<\/p>\n

Six decades on, with a fleet of globally celebrated projects to his name, the 83-year-old Swiss architect is back in Basel, beaming with the same local pride. He is gazing out at his latest well-built object, which is also his first project here: a monolithic new gallery that looks chiselled from the earth, its layers of pale crumbly concrete hammered into shape, its big oak and bronze doors \u2013 their handles wrapped with leather cord \u2013 closing with that same satisfyingly expensive Swiss swoosh.<\/p>\n

Continue reading…<\/a>\u00a0<\/p>\n

Read More<\/a><\/p>","protected":false},"excerpt":{"rendered":"

It is one of the world\u2019s finest collections, full of Monets, Miros and Picassos. But is the great Swiss architect\u2019s extension for the Beyeler Foundation a worthy addition? Or is it a bit luxury boutique? 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