{"id":16047,"date":"2026-10-06T10:31:50","date_gmt":"2026-10-06T10:31:50","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/10\/06\/the-90s-art-and-fashion-review-this-isnt-an-exhibition-its-a-magazine-spread-culture-the-guardian\/"},"modified":"2026-10-06T10:31:50","modified_gmt":"2026-10-06T10:31:50","slug":"the-90s-art-and-fashion-review-this-isnt-an-exhibition-its-a-magazine-spread-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/10\/06\/the-90s-art-and-fashion-review-this-isnt-an-exhibition-its-a-magazine-spread-culture-the-guardian\/","title":{"rendered":"The 90s: Art and Fashion review \u2013 this isn\u2019t an exhibition, it\u2019s a magazine spread Culture | The Guardian"},"content":{"rendered":"<p><strong>Tate Britain, London<br \/><\/strong>The Young British Art of the 1990s was brash and macabre but also intelligent and emotional. This breathlessly superficial show reduces it to a stylish pose<\/p>\n<p>Jake and Dinos Chapman were dismissed by some even in the 1990s as overgrown adolescents selling shock for its own sake, and yet it is their work that brings this dismally shallow show closest to a moment of depth. Their sculpture Great Deeds Against the Dead, based on a print of Napoleonic war atrocities by Goya, is a display of dismembered, bleeding nude corpses hung on a tree. It asks questions about war and art, the representation of pain, whether art can have a moral purpose. The best British art of the 1990s was like that, coming on as brash, vulgar, macabre, yet also unexpectedly intelligent and emotional. Unfortunately this show is neither.<\/p>\n<p>You\u2019d think Tate Britain would want to do justice to a decade in which these Millbank premises played a starring role, staging the Turner prize in the years when bisected cows, concrete houses and elephant dung got the nation arguing. At the start of the 1990s no one thought Britain was a leader in contemporary art. By the millennium, we were better known for new art than new novels.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/artanddesign\/2026\/oct\/06\/the-90s-art-and-fashion-review-tate-britain-london\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/artanddesign\/2026\/oct\/06\/the-90s-art-and-fashion-review-tate-britain-london\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/d50e742efef000096784ec47c459c11c7a044211\/157_404_2321_1857\/master\/2321.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=005cb0dcac7d0ed227256936d1945308\" title=\"The 90s: Art and Fashion review \u2013 this isn\u2019t an exhibition, it\u2019s a magazine spread\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>Tate Britain, LondonThe Young British Art of the 1990s was brash and macabre but also intelligent and emotional. This breathlessly superficial show reduces it to a stylish pose Jake and Dinos Chapman were dismissed by some even in the 1990s as overgrown adolescents selling shock for its own sake, and yet it is their work&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":16048,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-16047","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The 90s: Art and Fashion review \u2013 this isn\u2019t an exhibition, it\u2019s a magazine spread Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/10\/06\/the-90s-art-and-fashion-review-this-isnt-an-exhibition-its-a-magazine-spread-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The 90s: Art and Fashion review \u2013 this isn\u2019t an exhibition, it\u2019s a magazine spread Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"Tate Britain, LondonThe Young British Art of the 1990s was brash and macabre but also intelligent and emotional. This breathlessly superficial show reduces it to a stylish pose Jake and Dinos Chapman were dismissed by some even in the 1990s as overgrown adolescents selling shock for its own sake, and yet it is their work&#046;&#046;&#046;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/culturalleft.org\/cl\/2026\/10\/06\/the-90s-art-and-fashion-review-this-isnt-an-exhibition-its-a-magazine-spread-culture-the-guardian\/\" \/>\n<meta property=\"og:site_name\" content=\"Cultural Left\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/culturalleft\" \/>\n<meta property=\"article:published_time\" content=\"2026-10-06T10:31:50+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i.guim.co.uk\/img\/media\/d50e742efef000096784ec47c459c11c7a044211\/157_404_2321_1857\/master\/2321.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=005cb0dcac7d0ed227256936d1945308\" \/>\n<meta name=\"author\" content=\"Administrator\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:site\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Administrator\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/10\\\/06\\\/the-90s-art-and-fashion-review-this-isnt-an-exhibition-its-a-magazine-spread-culture-the-guardian\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/10\\\/06\\\/the-90s-art-and-fashion-review-this-isnt-an-exhibition-its-a-magazine-spread-culture-the-guardian\\\/\"},\"author\":{\"name\":\"Administrator\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/person\\\/94cf8075fda504f02a6c2fba01de1a33\"},\"headline\":\"The 90s: Art and Fashion review \u2013 this isn\u2019t an exhibition, it\u2019s a magazine spread Culture | The Guardian\",\"datePublished\":\"2026-10-06T10:31:50+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/10\\\/06\\\/the-90s-art-and-fashion-review-this-isnt-an-exhibition-its-a-magazine-spread-culture-the-guardian\\\/\"},\"wordCount\":235,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/10\\\/06\\\/the-90s-art-and-fashion-review-this-isnt-an-exhibition-its-a-magazine-spread-culture-the-guardian\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/wp-content\\\/uploads\\\/2026\\\/10\\\/2321-yeqXif.jpg\",\"articleSection\":[\"Uncategorized\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/10\\\/06\\\/the-90s-art-and-fashion-review-this-isnt-an-exhibition-its-a-magazine-spread-culture-the-guardian\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/10\\\/06\\\/the-90s-art-and-fashion-review-this-isnt-an-exhibition-its-a-magazine-spread-culture-the-guardian\\\/\",\"url\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/10\\\/06\\\/the-90s-art-and-fashion-review-this-isnt-an-exhibition-its-a-magazine-spread-culture-the-guardian\\\/\",\"name\":\"The 90s: Art and Fashion review \u2013 this isn\u2019t an exhibition, it\u2019s a magazine spread Culture | The Guardian - 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