{"id":16130,"date":"2026-10-08T22:31:10","date_gmt":"2026-10-08T22:31:10","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/10\/08\/franz-marie-review-woyzeck-folk-musical-finds-heart-amid-the-horror-culture-the-guardian\/"},"modified":"2026-10-08T22:31:10","modified_gmt":"2026-10-08T22:31:10","slug":"franz-marie-review-woyzeck-folk-musical-finds-heart-amid-the-horror-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/10\/08\/franz-marie-review-woyzeck-folk-musical-finds-heart-amid-the-horror-culture-the-guardian\/","title":{"rendered":"Franz &amp; Marie review \u2013 Woyzeck folk musical finds heart amid the horror Culture | The Guardian"},"content":{"rendered":"<p><strong>Charing Cross theatre, London<br \/><\/strong>B\u00fcchner\u2019s jagged masterpiece about a soldier\u2019s descent is told with enchanting and stirring songs that occasionally defuse its stark terror<\/p>\n<p>When Georg B\u00fcchner died aged 23 in 1837, he left behind Woyzeck as a bundle of papers that would be ordered and reordered for years to come, eventually discoloured by treatments used to decipher the playwright\u2019s handwriting. His two dozen scenes, with a handful of extra fragments, form a tragic patchwork that is mirrored, in this musical version, by a similar number of stained pieces of cloth stitched into the stage curtains and by the 27 folk songs that thread the story together.<\/p>\n<p>It remains the downfall of Franz Woyzeck, a desperate soldier sinking into madness who grows suspicious of his partner, but \u2013 as the first names of its romantic title suggest \u2013 the story seeks to better understand both characters. B\u00fcchner\u2019s Woyzeck suffers from visions and hallucinations; here they are joined by traumatic battlefield flashbacks. Franz was a war hero, says Marie admiringly, adding a courageous backstory to B\u00fcchner\u2019s downtrodden squaddie and suggesting that she sees a glimpse of Franz\u2019s former vigour in the drum major (here named Varg) who brazenly pursues her. In the play, that leads to an affair, but the musical\u2019s Marie fights off Varg when he attempts to rape her and it is the rumours of infidelity that accelerate Franz\u2019s frenzy.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/stage\/2026\/oct\/08\/franz-marie-review-woyzeck\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/stage\/2026\/oct\/08\/franz-marie-review-woyzeck\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/b9719864e27dde56b697bc13a9d4bca0a77779a3\/2186_1959_4218_3375\/master\/4218.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=bab5284103144c265690458fa4b60204\" title=\"Franz &amp; Marie review \u2013 Woyzeck folk musical finds heart amid the horror\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>Charing Cross theatre, LondonB\u00fcchner\u2019s jagged masterpiece about a soldier\u2019s descent is told with enchanting and stirring songs that occasionally defuse its stark terror When Georg B\u00fcchner died aged 23 in 1837, he left behind Woyzeck as a bundle of papers that would be ordered and reordered for years to come, eventually discoloured by treatments used&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":16131,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-16130","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Franz &amp; 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