{"id":16199,"date":"2026-10-12T09:31:23","date_gmt":"2026-10-12T09:31:23","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/10\/12\/fontaines-dc-dopamine-chamber-review-gloomy-gorgeous-and-a-gargantuan-triumph-culture-the-guardian\/"},"modified":"2026-10-12T09:31:23","modified_gmt":"2026-10-12T09:31:23","slug":"fontaines-dc-dopamine-chamber-review-gloomy-gorgeous-and-a-gargantuan-triumph-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/10\/12\/fontaines-dc-dopamine-chamber-review-gloomy-gorgeous-and-a-gargantuan-triumph-culture-the-guardian\/","title":{"rendered":"Fontaines DC: Dopamine Chamber review \u2013 gloomy, gorgeous and a gargantuan triumph Culture | The Guardian"},"content":{"rendered":"

(XL)<\/strong>
This is a beguiling, endlessly inventive and frequently astonishing fifth LP from a group at increasing ease with being the best band of their generation<\/p>\n

Fifteen centuries ago, the Byzantine archbishop Theophilus of Adana did first-hand business with the devil for his own superficial betterment. Today, we just blindly tick a little box marked \u201caccept terms and conditions\u201d or let high-street snake oil merchants inject poison into our faces. The Faustian pact has become as depressingly banal as it is endemic and destructive \u2013 and unlike Theophilus, we can\u2019t rely on the Virgin Mary to save us now. In the midst of headlines about AI destroying humanity, the idea of listening to music submerged in precisely this shade of doom might sound like, well, hell. If anyone can thread that poisoned needle, it\u2019s Fontaines DC.<\/p>\n

When the Dublin band introduced their last album, 2024\u2019s Romance<\/a>, it came with a surprise new look<\/a>. Their uncoordinated jeans and shirts had been replaced by neon hair, shiny trousers and bug-eyed sunglasses that split the difference between Korn and the Prodigy. As they faced up to having traded their anonymity to become arena fillers, it wasn\u2019t hard to read this look as a sort of protective cosplay, a cybergoth Sasha Fierce for five fairly low-key Irish lads trying to make peace with leaving their roots behind. Newly melodic and lavishly produced, Romance made no bones about the band\u2019s ambitions and became their first platinum-certified album.<\/p>\n

Continue reading…<\/a>\u00a0<\/p>\n

Read More<\/a><\/p>","protected":false},"excerpt":{"rendered":"

(XL)This is a beguiling, endlessly inventive and frequently astonishing fifth LP from a group at increasing ease with being the best band of their generation Fifteen centuries ago, the Byzantine archbishop Theophilus of Adana did first-hand business with the devil for his own superficial betterment. Today, we just blindly tick a little box marked \u201caccept...<\/p>\n","protected":false},"author":1,"featured_media":16200,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-16199","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"\nFontaines DC: Dopamine Chamber review \u2013 gloomy, gorgeous and a gargantuan triumph Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/10\/12\/fontaines-dc-dopamine-chamber-review-gloomy-gorgeous-and-a-gargantuan-triumph-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Fontaines DC: Dopamine Chamber review \u2013 gloomy, gorgeous and a gargantuan triumph Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"(XL)This is a beguiling, endlessly inventive and frequently astonishing fifth LP from a group at increasing ease with being the best band of their generation Fifteen centuries ago, the Byzantine archbishop Theophilus of Adana did first-hand business with the devil for his own superficial betterment. 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