{"id":16218,"date":"2026-10-12T16:33:57","date_gmt":"2026-10-12T16:33:57","guid":{"rendered":"https:\/\/culturalleft.org\/cl\/2026\/10\/12\/tarek-atouis-turbine-hall-review-hallelujah-its-raining-musical-instruments-culture-the-guardian\/"},"modified":"2026-10-12T16:33:57","modified_gmt":"2026-10-12T16:33:57","slug":"tarek-atouis-turbine-hall-review-hallelujah-its-raining-musical-instruments-culture-the-guardian","status":"publish","type":"post","link":"https:\/\/culturalleft.org\/cl\/2026\/10\/12\/tarek-atouis-turbine-hall-review-hallelujah-its-raining-musical-instruments-culture-the-guardian\/","title":{"rendered":"Tarek Atoui\u2019s Turbine Hall review \u2013 hallelujah, it\u2019s raining musical instruments! Culture | The Guardian"},"content":{"rendered":"<p><strong>Tate Modern, London<\/strong><br \/>The Lebanese artist has turned trumpets, drums, cones and voices into an ingenious, interconnected sonic beast with funny, sad and mystical results. Prepare to feel the earth move!<\/p>\n<p>On the floor of the Turbine Hall, there are wide water basins and huge flattish rough-hewn rocks you might see on moorland or in a desert. You can sit or stand or climb on them. But if you look up, you won\u2019t be able to stop looking up \u2013 because it\u2019s raining musical instruments. Immense elongated brass trumpets and giant glowing drums seem to float in the air, suspended from the girders of the former power station\u2019s roof.<\/p>\n<p>If Lebanese artist Tarek Atoui had just left it at that, it would be an impressive, intriguing installation, but this is Tate Modern, honey, and Atoui hasn\u2019t been asked to occupy its grandest space with mere physical objects. Instead, his sculptural creations and found stuff resonate and echo with an ever-changing, invisible art of noises. An earth-shaking bass note throbs from a hanging trumpet \u2013 or is it from that translucent cone rising out of the ground like an ethereal minaret? Then a drumbeat booms through the space and a woman\u2019s plangent, achingly lovely voice sings notes of infinite nostalgia and melancholy.<\/p>\n<p> <a href=\"https:\/\/www.theguardian.com\/artanddesign\/2026\/oct\/12\/tarek-atoui-turbine-hall-review-tate-modern-london\">Continue reading&#8230;<\/a>\u00a0<\/p>\n<p><a href=\"https:\/\/www.theguardian.com\/artanddesign\/2026\/oct\/12\/tarek-atoui-turbine-hall-review-tate-modern-london\" target=\"_blank\" class=\"feedzy-rss-link-icon\">Read More<\/a><img decoding=\"async\" src=\"https:\/\/i.guim.co.uk\/img\/media\/6d3147c339e476d100ab17f0ef85c108cd69836a\/2320_543_4724_3780\/master\/4724.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=a241e1f91f83344fee5859e184f50e91\" title=\"Tarek Atoui\u2019s Turbine Hall review \u2013 hallelujah, it\u2019s raining musical instruments!\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>Tate Modern, LondonThe Lebanese artist has turned trumpets, drums, cones and voices into an ingenious, interconnected sonic beast with funny, sad and mystical results. Prepare to feel the earth move! On the floor of the Turbine Hall, there are wide water basins and huge flattish rough-hewn rocks you might see on moorland or in a&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":16219,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-16218","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Tarek Atoui\u2019s Turbine Hall review \u2013 hallelujah, it\u2019s raining musical instruments! Culture | The Guardian - Cultural Left<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culturalleft.org\/cl\/2026\/10\/12\/tarek-atouis-turbine-hall-review-hallelujah-its-raining-musical-instruments-culture-the-guardian\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tarek Atoui\u2019s Turbine Hall review \u2013 hallelujah, it\u2019s raining musical instruments! Culture | The Guardian - Cultural Left\" \/>\n<meta property=\"og:description\" content=\"Tate Modern, LondonThe Lebanese artist has turned trumpets, drums, cones and voices into an ingenious, interconnected sonic beast with funny, sad and mystical results. Prepare to feel the earth move! On the floor of the Turbine Hall, there are wide water basins and huge flattish rough-hewn rocks you might see on moorland or in a&#046;&#046;&#046;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/culturalleft.org\/cl\/2026\/10\/12\/tarek-atouis-turbine-hall-review-hallelujah-its-raining-musical-instruments-culture-the-guardian\/\" \/>\n<meta property=\"og:site_name\" content=\"Cultural Left\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/culturalleft\" \/>\n<meta property=\"article:published_time\" content=\"2026-10-12T16:33:57+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i.guim.co.uk\/img\/media\/6d3147c339e476d100ab17f0ef85c108cd69836a\/2320_543_4724_3780\/master\/4724.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=a241e1f91f83344fee5859e184f50e91\" \/>\n<meta name=\"author\" content=\"Administrator\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:site\" content=\"@culturalleft\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Administrator\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/10\\\/12\\\/tarek-atouis-turbine-hall-review-hallelujah-its-raining-musical-instruments-culture-the-guardian\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/2026\\\/10\\\/12\\\/tarek-atouis-turbine-hall-review-hallelujah-its-raining-musical-instruments-culture-the-guardian\\\/\"},\"author\":{\"name\":\"Administrator\",\"@id\":\"https:\\\/\\\/culturalleft.org\\\/cl\\\/#\\\/schema\\\/person\\\/94cf8075fda504f02a6c2fba01de1a33\"},\"headline\":\"Tarek Atoui\u2019s Turbine Hall review \u2013 hallelujah, it\u2019s raining musical instruments! 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