The Brazilian artist’s show The Bride and the Goodnight Cinderella provokes debate – but, she insists, it doesn’t take a toll on her
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The audience responses to Carolina Bianchi’s startling new stage show have varied. Some have walked out mid-performance. Others, among those who stayed, have broken down in sobs by the end. But the Brazilian artist has also had people send messages of how her performance touched them, how they spent all night discussing it. Normally, she says, “the reactions come slowly”. This is a piece you need time to sit with.
“I know it’s not an easy piece,” Bianchi says. “I think it provokes a lot of debate and conversation … and also I’m not making work that is about being ‘good’ or ‘bad’.”
