The first lady’s political goals, high-stakes clothes fittings and hints that she and Donald still have sex are just some of the highlights from Brett Ratner’s documentary
Melania’s appears an entirely airless existence, in which she glides solo about gilt corridors in absolute silence, David Lynch-style, observed by tight-lipped heavies. All her staff dress in deference to her, mostly in black, but sometimes – as in the case of her interior designer – in a matching camel-coloured three-piece suit. Candidates interviewing for assistant roles have also got the memo, lining up in a sea of monochrome, with buttery hair and prominent cross necklaces.
