It was the play that rocked a nation. The makers of the devastating drama, which transported theatre-goers from a Fife pub to a war zone, recall how it grew and grew
Within six months of its launch in 2006, the National Theatre of Scotland (NTS) produced a globe-conquering hit. Inspired by tragic events at Camp Dogwood in Iraq, Black Watch was a humane portrayal of young squaddies on the frontline. As a pool table transformed into a tank, the audience were transported from a Fife pub to a war zone where nothing was more heartbreaking than a letter from home.
Vicky Featherstone (founding artistic director): On my first day at NTS in 2004, I bought a Glasgow Herald. On the front page was an article saying Tony Blair was going to get rid of Scotland’s individual regiments and turn them into the Royal Regiment of Scotland. On page three, there was a sad story about three soldiers from the Black Watch regiment who had been blown up by an IED along with an Iraqi translator. In the gap between page one and page three was a story that had to be told. I called up Gregory Burke and said, “Will you follow this story?”
