Eight birds play the lead in Hen – one for running scenes, one for pecking, one for staying still. And there’s even a cockerel love interest. Director György Pálfi explains why it’s his most normal movie yet
If oppressive regimes inadvertently give rise to striking artistic works of resistance, then Hen might just be a parting gift from Viktor Orbán’s far-right regime. This compelling, original film, told from the perspective of a hen, was only made because Hungarian film-maker György Pálfi could no longer create anything in his home country. Orbán’s 16 years of cronyism banished any chance of funding a film in Budapest, so Pálfi – who has directed eight wildly original films, from his near-wordless 2002 debut Hukkle to 2006’s visually striking and grotesque Taxidermia – was driven into exile. Searching for a universal story he could tell even when filming in a culture or country he didn’t fully understand, he and co-writer and partner Zsófia Ruttkay settled on a biopic of a factory-farmed chicken.
The hen escapes her gruesome, industrial birthplace in Greece and, through her naturally comic beady eyes, we witness the unfolding of a modern-day Greek tragedy, whereby a down-at-heel restaurateur is drawn into the brutal world of people-smuggling.
