(Atlantic)
The lyrics may argue the dancefloor is dead, but this funny, wilfully plasticky new single isn’t the total about-turn from Brat that fans expected
Last month, Charli xcx began the media campaign for her seventh studio album by giving an interview to Vogue magazine. The ensuing feature caused an impressive degree of online consternation, not because the 33-year-old star had said anything particularly controversial, but because she had suggested that the follow-up to 2024’s Brat would sound markedly different to its predecessor. “If I’d made another album that felt more dance-leaning, it would have felt really hard, really sad,” she said, not unreasonably declining to chase Brat’s vast success by attempting to replicate it. (Although, in fairness, you could have probably worked that out from House, the noisy, experimental collaboration with John Cale she released at the end of last year as the first single from her soundtrack to Wuthering Heights.)
She also played the interviewer a track that contained both “heavily processed guitars” and the lyrics “I think the dancefloor is dead, so now we’re making rock music”: Vogue duly ran with the idea, trumpeting Charli xcx’s “rock reinvention” in both the headline and on its cover and other news outlets picked up on the story – “CHARLI XCX CONFIRMS ROCK ALBUM”. What one journalist tactfully called “heated discourse online from some fans and artists within the music industry” followed, eventually prompting the singer to respond, posting “a video of me making a song called Rock Music that is not actually rock music which is funny because I never said I was making a rock album”.
