Despite a call for calm, a combustible mix of politics and protest punctuated the preview week across the pavilions
Every two years the art world assembles in Venice for a sprawling celebration of visual arts at which countries “compete” against one another for the prize of best national pavilion. It is a barometer of taste, a shop window for artists and the industry’s biggest get-together – once described by the art historian Lawrence Alloway as an “orgy of contact and communication”.
This year, 99 countries are involved, including Somalia and Qatar, which are among seven first-time participants in an event that was overshadowed by the death of its curator, Koyo Kouoh, just over a year ago. She wanted an event that focused on “enhancement” with a main show called In Minor Keys. Despite the call for calm, a combustible mix of politics and protest punctuated the preview week. The activist group Pussy Riot turned up on site to object to Russia’s inclusion and a strike on Friday in protest at Israel’s inclusion caused several pavilions – including the UK, Austria and France – to close their doors.
