The Beloved review: Javier Bardem turns in a career-scariest performance Culture | The Guardian

Cannes film festival: This tremendously alarming drama from Rodrigo Sorogoyen is an meditation on male auteurs entirely without sentimentality

Javier Bardem gives his scariest performance since No Country For Old Men in this disquieting new film about emotional abuse from Spanish director Rodrigo Sorogoyen, who made 2023 rural noir shocker The Beasts.

It’s a film about a film-shoot – often the occasion for whimsy or sentimentality or woozy rapture about the magic of cinema. Not here. And given this and Paweł Pawlikowski’s Fatherland, this year could be the Cannes of father-daughter dysfunction.

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