The Leeds group arrived in a frenzy of post-punk energy, picking at the scabs of society – then started questioning their instant success. They talk about dodging ‘the megaband treadmill’ to make their surreal new album
It’s certainly a novel way to announce your comeback. On the opening song of Yard Act’s new album, over a cacophony of doomy piano chords and crashing drums, singer James Smith announces: “I’ve got absolutely nothing – absolutely nothing new to say!” And he’s not finished there. Later in the same track, Empty Pledges, Smith whips himself up into unhinged preacher mode only to declare: “Do you feel like an impostor for every new level you ascend to too? Do you have to bluff as much as I do?”
Is it refreshingly honest to begin a record by saying you haven’t got a clue what you’re doing – or an act of ludicrous self-sabotage? “Well, I don’t know if anyone has anything new to say really,” says Smith with a grin when I meet him and bassist Ryan Needham in a London bar to discuss You’re Gonna Need a Little Music, the band’s forthcoming third LP. “We’re in this age where everything has to be a manifesto and a statement, but it’s mainly just a one-way conversation. Nobody wants to explore the grey areas any more.”
