Swan Theatre, Stratford-Upon-Avon
Tamara Harvey’s production of Chekhov’s final play can seem woolly in meaning and soft-edged tone mutes its force
Laura Wade’s reworking of Anton Chekhov’s final, plaintive play brings a dazzle of big names. Helen Hunt is the aristocratic matriarch Madame Ranyevskaya, Bill Pullman her brother, and Kenneth Branagh (so soon after his lead role in the Royal Shakespeare’s production of The Tempest) their nemesis, Lopakhin, a shopkeeper’s son here who takes over the reins of the family estate and represents the rising forces against Russia’s old order of ossified elites.
But for such a starry cast Tamara Harvey’s production has a disappointing lack of sparkle. You do not feel the story’s charge, its complications around love and its stinging losses. The tone is too soft-edged, almost endearing, and the cast such an ensemble that there is no magnetic centre to hold you.
