With his new sequel Beetlejuice Beetlejuice set to open the Venice International Film Festival on 28 August, we look back at the career of every goth’s favourite director
Here is the great clunker of the Tim Burton canon. His cumbersome live-action remake of the Disney hit is a great big flightless pachyderm of a film that misses the pathos and charm of the original, saddling itself with 21st-century embarrassment at the whole idea of circus animals and overcomplicating everything. Burton’s instinct may be for a gothic overload of detail, but that feels wrong here.
